One thing that really makes TAP unique is the fact that the artist is present. And they\u2019re friendly. It\u2019s different from bigger art fairs where the booths are occupied by gallery owners who scrutinize (or so I felt) the gaggle of visitors to make out the buyers from spectators, or from gallery shows where the art hangs silently while the hipster receptionist hardly glances up from their iPads. At The Artist Project, the artists want to talk, always present at the booth, ready to answer questions, to engage with the audience. One enthusiastic artist took a quick look at my media badge before shouting out, \u201cDo you want to interview me!?\u201d<\/p>\n Out of two hundred artists that filled up the Queen Elizabeth Building for four days, I\u2019ve picked five artists that captured my attention and kept me coming back. They are in the order that I stumbled across them.<\/p>\n Christine Kim, Booth 346<\/strong><\/p>\n Kim\u2019s pieces are delicate, intricate, and whimsical. She cuts and pastes paper fragments that she drew and painted, thereby liberating them from their respective medium, free to cast their own shadows. When I visited her booth, she was working on another project. \u201cKeeps me busy, since I have to be here all day,\u201d said Kim with a smile. Interested in a play of light and shadow, her objective is \u201cto make people stop, and step closer.\u201d As people move in front of her pieces, they cast yet another layer of shadow, imbuing her art with a haunted presence. www.christinekim.ca<\/a><\/p>\n Harry Enchin, Booth 232<\/strong><\/p>\n Enchin presents a view of Toronto, transformed. Seamlessly superimposing photographs of the present Toronto street scenes with those of the past, he creates a vision of Toronto that is neither in the past or present, but timeless. Are we looking back, or are the people in the past looking into the future?telefoonhoesjes utrecht<\/a>replica mont blanc watch<\/a><\/p>\n Omar Aljebouri + Michael CC Lin<\/strong><\/p>\n This duo is one of the winners of UNTAPPED, a juried competition that awards emerging artists\u2014including current students and recent graduates. Aljebourie and Lin are both graduate students at the University of Toronto\u2019s John H. Daniels Faculty of Architecture, Landscape, and Design. With laser-cut wood, plaster, plexiglass and found objects spray painted white, they captured the diverse neighbourhoods of Toronto in small, stacked clear cubes, creating a fantastic landscape of Toronto in the most whimsical way possible. \u201cIt took a lot of research, to come up with an interesting design that represents each neighbourhood,\u201d said Lin. For example, Regent Park sports what looks like a\u00a0dog with a pair of hipster glasses.Offering popular women’s necklaces such as pendants, chokers and chain necklace. Shop for jewelry in a variety of metals and gemstones to suit any occasion<\/p>\n Pierre Bruneau, 206<\/strong><\/p>\n On the opening night, I completely missed this booth. I almost missed it again on the third day I visited, and only during the last run-through of the place did I notice a sign that read \u201cEntrance,\u201d with a black curtain. \u201cGo ahead, it won\u2019t bite you,\u201d said the artist playfully. Curious, I entered the space expecting fantastical installation art of some sort; but all I saw was a few monochromatic paintings in a cramped space. I immediately blurted out, \u201cWhat is this?\u201d Then the light dimmed, until it was pitch dark. Then I saw it\u2014the glimmering faces on the canvases. As the light gradually came back on, the ghost of the faces lingered on for just a second, then vanished, leaving a haunted residue. Bruneau experiments with the medium of phosphorescence, brilliantly done in an inconspicuous set-up. I came out of the booth completely mesmerized. pierrebruneau.ca<\/a><\/p>\n Ryan Louis, U-4<\/strong><\/p>\n Louis is another UNTAPPED artist, and my favourite of the whole fair. \u201cI haven\u2019t exhibited much, this is nerve-wrecking,\u201d quipped Louis, bubbly and enthusiastic. Similarly, his works are playful with a hint of delicacy. Louis plays with cutouts and found objects with the medium of photography, creating staged shots with shadows that are real in depth. The scenes he creates are open-ended, as he believes that the viewer should have a hand in creating a narrative. When I nonetheless ask him to explain one of his works, She\u2019s So Smashed<\/em>\u2014also a headline image for the fair\u2019s programme brochure\u2014he offers up a question instead. \u201cIs she smashed, as in drunk, or is she smashed\/broken free from tradition?\u201d And so the cutouts he incorporates in the constructed scenes are freed from their original medium, their original context. The effect is eerie yet pleasant, thought-provoking yet unrestrictive. ryan-louis.com<\/a><\/p>\n At The Artist Project, art is aesthetically appealing, approachable, and affordable\u2014they are art that you\u2019d like to have in your living room, so to speak. And I do not say this in any derogatory way whatsoever. The artists are exemplary in experimenting with various mediums and pushing boundaries, but the art remains friendly to first-time art buyers. Even as I strolled around on the third day of the fair, red stickers were being plastered all over the place. The artists looked exhausted, but they didn\u2019t seem to mind. As I left the fair, I wished big success to all the artists, so that in the future I can nonchalantly say, \u201cI knew them when they were indie before they got mainstreamed.\u201d<\/p>\n Seowon Bang<\/p>\n","protected":false},"excerpt":{"rendered":" by Seowon Bang<\/strong><\/p>\n Queen Elizabeth Building<\/strong> I call it \u2018indie darling of art fairs\u2019, but don\u2019t be fooled into thinking that The Artist Project is a neat little show that you can take in lightly. Produced by MMPI, a mega production company that presents well-known art fairs all over the world, The Artist Project is just as large in scale and brimming with big talents waiting to be discovered.<\/p>\n![\"\"](\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2012\/03\/DSC00022_opt.jpg\" "\\"DSC00022_opt\\"")
<\/a><\/span><\/p>\n![\"\"](\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2012\/03\/DSC00013_opt.jpg\" "\\"DSC00013_opt\\"")
<\/a>\u00a0Christine Kim, Untitled<\/em>.<\/p>\n![\"\"](\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2012\/03\/DSC00015_opt.jpg\" "\\"DSC00015_opt\\"")
<\/a>Omar Aljebouri + Michael CC Lin, Regent Park<\/em> from series Cabinet of Curiosities: Toronto Expedition 001<\/em>, 2012<\/p>\n![\"\"](\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2012\/03\/ShesSoSmashed-2011-Digital.jpg\" "\\"ShesSoSmashed-2011-Digital\\"")
<\/a>Ryan Louis, She’s So Smashed<\/em>, 2011. Courtesy the artist.<\/p>\n
\nMarch 1 – 4, 2012<\/p>\n