{"id":53482,"date":"2024-05-01T11:23:07","date_gmt":"2024-05-01T15:23:07","guid":{"rendered":"https:\/\/www.artoronto.ca\/?p=53482"},"modified":"2024-05-01T15:44:22","modified_gmt":"2024-05-01T19:44:22","slug":"contact-2024-artoronto-picks","status":"publish","type":"post","link":"https:\/\/v2.artoronto.ca\/?p=53482","title":{"rendered":"CONTACT 2024 \/ Artoronto picks"},"content":{"rendered":"\n<p>28th Edition, CONTACT Photography Festival features over 130 exhibitions and outdoor installations by Canadian and International artists throughout the Greater Toronto Area. So, it isn&#8217;t easy to pick exhibits to see. We all look forward to seeing much more than the ones listed but these caught our interest and everyone is sure to have their own list as well.<\/p>\n\n\n\n<p><strong>EMESE KRUNAK-HAJAGOS, publisher\/writer:<\/strong><\/p>\n\n\n\n<p><strong>Stephanie Avery, Evangeline Y Brooks, Laura Komadina: Missed Details<\/strong><br \/>May 1 \u2013 12, 2024<br \/>All Ours Gallery<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/Avery.png\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"408\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/Avery.png\" alt=\"\" class=\"wp-image-53446\" style=\"width:352px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Avery.png 600w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Avery-250x170.png 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Avery-150x102.png 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Avery-160x109.png 160w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Stephanie Avery, Wedding at the Phoenix, 2018<\/p>\n\n\n\n<p><strong>Nika Belianina: Enchanted Journeys of Desire<\/strong><br \/>May 10 \u2013 Jun 1, 2024<br \/>Abozzo Gallery<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/Nika-B-Smiley.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/Nika-B-Smiley.jpg\" alt=\"\" class=\"wp-image-53451\" style=\"width:259px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Nika-B-Smiley.jpg 600w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Nika-B-Smiley-250x250.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Nika-B-Smiley-150x150.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Nika-B-Smiley-160x160.jpg 160w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Nika Belianina, Smiley, 2023<\/p>\n\n\n\n<p><strong>PHIL ANDERSON, publisher\/writer\/photographer<\/strong><\/p>\n\n\n\n<p><strong>Ruth Kaplan &amp; Claudia Fahrenkemper: Body Armour<\/strong><br \/>April 28 \u2013 July 1, 2014<br \/>Japanese Canadian Cultural Centre <\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/Ruth-Kaplan.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"900\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/Ruth-Kaplan.jpg\" alt=\"\" class=\"wp-image-53453\" style=\"width:270px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Ruth-Kaplan.jpg 900w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Ruth-Kaplan-250x250.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Ruth-Kaplan-150x150.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Ruth-Kaplan-768x768.jpg 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Ruth-Kaplan-160x160.jpg 160w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Ruth Kaplan, Steam Room, Calistoga, California, U.S.A., 1991 (gelatin silver print; 14.25\u00d714.25in (image), from the series Bathers. Courtesy of the artist and Stephen Bulger<\/p>\n\n\n\n<p><strong>Amanda Large: We Are All Water<\/strong><br \/>May 2 \u2013 July 31, 2024<br \/>Bulthaup,&nbsp;Toronto<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/phil.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"832\" height=\"555\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/phil.jpg\" alt=\"\" class=\"wp-image-53485\" style=\"width:366px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/phil.jpg 832w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/phil-250x167.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/phil-150x100.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/phil-768x512.jpg 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/phil-160x107.jpg 160w\" sizes=\"auto, (max-width: 832px) 100vw, 832px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Amanda Large, untitled, 2021<\/p>\n\n\n\n<p><strong>STEVE ROCKWELL, publisher\/writer<\/strong><\/p>\n\n\n\n<p><strong>Strange Love \/ Organized by the National Gallery of Canada, presented in partnership with Library and Archives Canada and CONTACT<\/strong><br \/>May 1 \u2013 July 27, 2024<br \/>Urbanspace Gallery<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/Urbanspace.png\"><img loading=\"lazy\" decoding=\"async\" width=\"1017\" height=\"1024\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/Urbanspace-1017x1024.png\" alt=\"\" class=\"wp-image-53457\" style=\"width:274px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Urbanspace-1017x1024.png 1017w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Urbanspace-248x250.png 248w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Urbanspace-150x150.png 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Urbanspace-768x773.png 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Urbanspace-160x161.png 160w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Urbanspace.png 1054w\" sizes=\"auto, (max-width: 1017px) 100vw, 1017px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">C. R. Yool (1923\u20132006), Scientists Pat Holden and Norman Harrison look into the test chamber of the ISIS A Satellite, 1965. CMCP Archive, National Gallery of Canada Library and Archives (NFB 65-2587)<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<p><strong>Sara Angelucci: Undergrowth<\/strong><br \/>April 20 &#8211; July 7, 2024<br \/>Art Gallery of Mississauga<\/p>\n<\/div><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sara-A.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"744\" height=\"1024\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sara-A-744x1024.jpg\" alt=\"\" class=\"wp-image-53455\" style=\"width:218px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sara-A-744x1024.jpg 744w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sara-A-182x250.jpg 182w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sara-A-109x150.jpg 109w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sara-A-768x1057.jpg 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sara-A-1116x1536.jpg 1116w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sara-A-160x220.jpg 160w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sara-A.jpg 1488w\" sizes=\"auto, (max-width: 744px) 100vw, 744px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Sara Angelucci, October 14, Milkweed #3, 2020 (pigment print on archival paper flush-mounted to Dibond, 47x34in.), from the series Nocturnal Botanical Ontario. Courtesy of the artist and Stephen Bulger Gallery, \u00a9 Sara Angelucci<\/p>\n\n\n\n<p><strong>CASSANDRA JOHNSON, writer\/photographer<\/strong><\/p>\n\n\n\n<p><strong>June Clark: Witness<\/strong><br \/>May 3 &#8211; August 11, 2024<br \/>The Power Plant Contemporary Art Gallery<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/June-C.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/June-C-1024x683.jpg\" alt=\"\" class=\"wp-image-53450\" style=\"width:350px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/June-C-1024x683.jpg 1024w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/June-C-250x167.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/June-C-150x100.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/June-C-768x512.jpg 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/June-C-160x107.jpg 160w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/June-C.jpg 1536w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">June Clark, Harlem Quilt, (detail), 1997 (fabric, photo transfers, light). Courtesy of the artist and Daniel Faria Gallery<\/p>\n\n\n\n<p><strong>In Dimension: Personal and Collective Narratives<\/strong><br \/>May 9 &#8211; August 3, 2024<br \/>The Image Centre<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/Alishah-Ahmad.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/Alishah-Ahmad-1024x683.jpg\" alt=\"\" class=\"wp-image-53445\" style=\"width:351px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Alishah-Ahmad-1024x683.jpg 1024w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Alishah-Ahmad-250x167.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Alishah-Ahmad-150x100.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Alishah-Ahmad-768x512.jpg 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Alishah-Ahmad-160x107.jpg 160w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Alishah-Ahmad.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Work by Alishah Ahmad<\/p>\n\n\n\n<p><strong>ELIN MACRAE, writer<\/strong><\/p>\n\n\n\n<p><strong>Jake Kimble: Make Yourself at Home<\/strong><br \/>April 4 \u2013 May 11, 2024<br \/>United Contemporary<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_jake_kimble.png\"><img loading=\"lazy\" decoding=\"async\" width=\"567\" height=\"437\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_jake_kimble.png\" alt=\"\" class=\"wp-image-53494\" style=\"width:319px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_jake_kimble.png 567w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_jake_kimble-250x193.png 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_jake_kimble-150x116.png 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_jake_kimble-160x123.png 160w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Jake Kimble, Bath Time, 2023 (archival pigment print, 40x40in). Courtesy of the artist<\/p>\n\n\n\n<p><strong>HUGH ALCOCK, writer\/photographer<\/strong><\/p>\n\n\n\n<p><strong>Alan Bulley, John Healey, Jon Stuart: Landscaping(s)<\/strong><br \/>May 1 &#8211; 15, 2024<br \/>Gallery 183<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/05\/Landscape.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"819\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/05\/Landscape-1024x819.jpg\" alt=\"\" class=\"wp-image-53516\" style=\"width:331px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/Landscape-1024x819.jpg 1024w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/Landscape-250x200.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/Landscape-150x120.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/Landscape-768x615.jpg 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/Landscape-160x128.jpg 160w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/Landscape.jpg 1536w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Jon Stuart, Downstream, 2022<\/p>\n\n\n\n<p><strong>Farah Al-Amin: Decay<\/strong><br \/>May 10 \u2013 31, 2024<br \/>Arterial Toronto<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/05\/Decay.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"337\" height=\"600\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/05\/Decay.jpg\" alt=\"\" class=\"wp-image-53515\" style=\"width:171px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/Decay.jpg 337w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/Decay-140x250.jpg 140w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/Decay-84x150.jpg 84w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/Decay-160x285.jpg 160w\" sizes=\"auto, (max-width: 337px) 100vw, 337px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Farah Al-Amin, Decay, 2023<\/p>\n\n\n\n<p><strong>LEX BARRIE, writer\/photographer<\/strong><\/p>\n\n\n\n<p><strong>Julya Hajnoczky: The Prefix Prize<\/strong><br \/>May 3 \u2013 July 27, 2024<br \/>Urbanspace Gallery<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_julya.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"759\" height=\"1025\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_julya.jpg\" alt=\"\" class=\"wp-image-53509\" style=\"width:225px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_julya.jpg 759w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_julya-185x250.jpg 185w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_julya-111x150.jpg 111w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_julya-160x216.jpg 160w\" sizes=\"auto, (max-width: 759px) 100vw, 759px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Julya Hajnoczky, Boletinellus meruliodes, 2021, from the series At the Last Judgement, We Will All Be Trees. Courtesy the artist and Prefix Institute of Contemporary Art, Toronto<\/p>\n\n\n\n<p><strong>Jah Grey: Putting Ourselves Together <\/strong><br \/>March 28 \u2013 May 25, 2024<br \/>BAND Gallery<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_jah_grey.png\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_jah_grey-683x1024.png\" alt=\"\" class=\"wp-image-53510\" style=\"width:206px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_jah_grey-683x1024.png 683w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_jah_grey-167x250.png 167w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_jah_grey-100x150.png 100w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_jah_grey-768x1152.png 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_jah_grey-160x240.png 160w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/05\/rsz_jah_grey.png 800w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Jah Grey, Oge Anthony Classic, (Stylist: Uche Uba Creative Directors: Jah Grey, Uche Uba, and Pris Zim), 2024. Courtesy of the artist<\/p>\n\n\n\n<p><strong>POLYNA ALEXSEEV, writer\/photographer<\/strong><\/p>\n\n\n\n<p><strong>Almagul Menlibayeva: My Silk Road to You &amp; Nomadized Suprematism<\/strong><br \/>May 1 \u2013 June 9, 2024<br \/>Aga Khan Museum<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/aga.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/aga-1024x768.jpg\" alt=\"\" class=\"wp-image-53444\" style=\"width:349px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/aga-1024x768.jpg 1024w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/aga-250x188.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/aga-150x113.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/aga-768x576.jpg 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/aga-160x120.jpg 160w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/aga.jpg 1536w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Almagul Menlibayeva, Aisha Bibi, 2010, from the series My Silk Road to You. Courtesy of the artist<\/p>\n\n\n\n<p><strong>Sage Szkabarnicki-Stuart: Home: Between Worlds<\/strong><br \/>May 4 \u2013 31, 2024<br \/>Rukaj Gallery<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sage.png\"><img loading=\"lazy\" decoding=\"async\" width=\"732\" height=\"1024\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sage-732x1024.png\" alt=\"\" class=\"wp-image-53454\" style=\"width:221px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sage-732x1024.png 732w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sage-179x250.png 179w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sage-107x150.png 107w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sage-768x1075.png 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sage-1097x1536.png 1097w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sage-160x224.png 160w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Sage.png 1463w\" sizes=\"auto, (max-width: 732px) 100vw, 732px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Sage Szkabarnicki-Stuart, Monarch, 2023<\/p>\n\n\n\n<p><strong>RASHANA YOUTZY, writer\/photographer<\/strong><\/p>\n\n\n\n<p><strong>John Macfie: People of the Watershed<\/strong><br \/>May 11 \u2013 November 17, 2024<br \/>McMichael Canadian Art Collection<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/John-Macfie.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"688\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/John-Macfie-1024x688.jpg\" alt=\"\" class=\"wp-image-53449\" style=\"width:349px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/John-Macfie-1024x688.jpg 1024w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/John-Macfie-250x168.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/John-Macfie-150x101.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/John-Macfie-768x516.jpg 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/John-Macfie-1536x1032.jpg 1536w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/John-Macfie-2048x1376.jpg 2048w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/John-Macfie-160x108.jpg 160w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">John Macfie, Henry Kechebra calling a moose, Mattigami Reserve, 1959, photograph, John Macfie fonds, C330-14-0-0-22, Archives of Ontario.<\/p>\n\n\n\n<p><strong>Finn O\u2019Hara: Band on the Run<\/strong><br \/>May 1 \u2013 31, 2024<br \/>Donna\u2019s<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/Finn-Ohara.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/Finn-Ohara-819x1024.jpg\" alt=\"\" class=\"wp-image-53447\" style=\"width:254px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Finn-Ohara-819x1024.jpg 819w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Finn-Ohara-200x250.jpg 200w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Finn-Ohara-120x150.jpg 120w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Finn-Ohara-768x960.jpg 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Finn-Ohara-1229x1536.jpg 1229w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Finn-Ohara-160x200.jpg 160w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/Finn-Ohara.jpg 1500w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Finn O\u2019Hara, CEWA + LULI, 2023<\/p>\n\n\n\n<p><strong>TIFFANY DOUNG, writer\/media<\/strong><\/p>\n\n\n\n<p><strong>Ruth Less<\/strong> <strong>Tyler Nykilchyk, Jessica O\u2019Lear: Liminal<\/strong><br \/>April 27 \u2013 May 31, 2024<br \/>Alternity<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/reclaim-2-reclaim-3_1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"661\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/reclaim-2-reclaim-3_1-1024x661.jpg\" alt=\"\" class=\"wp-image-53452\" style=\"width:374px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/reclaim-2-reclaim-3_1-1024x661.jpg 1024w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/reclaim-2-reclaim-3_1-250x161.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/reclaim-2-reclaim-3_1-150x97.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/reclaim-2-reclaim-3_1-768x496.jpg 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/reclaim-2-reclaim-3_1-1536x991.jpg 1536w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/reclaim-2-reclaim-3_1-160x103.jpg 160w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/reclaim-2-reclaim-3_1.jpg 1700w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Ruth Less, reclaim 2, reclaim 3, 2023<\/p>\n\n\n\n<p><strong>Julie Vetro: Campfire Songs<\/strong><br \/>May 22 \u2013 Jun 2, 2024<br \/>Gallery 1313<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/ukulele-girl_1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"749\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2024\/04\/ukulele-girl_1-1024x749.jpg\" alt=\"\" class=\"wp-image-53456\" style=\"width:366px;height:auto\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/ukulele-girl_1-1024x749.jpg 1024w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/ukulele-girl_1-250x183.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/ukulele-girl_1-150x110.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/ukulele-girl_1-768x562.jpg 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/ukulele-girl_1-1536x1124.jpg 1536w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/ukulele-girl_1-160x117.jpg 160w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2024\/04\/ukulele-girl_1.jpg 1700w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center\">Julie Vetro, Ukulele Girl, 2024<\/p>\n\n\n\n<p>Images are courtesy of CONTACT Photography Festival.<\/p>\n\n\n\n<p>To make your own selection of exhibitions please click <a href=\"https:\/\/contactphoto.com\/\" title=\"\">here<\/a><a href=\"https:\/\/scotiabankcontactphoto.com\/2022\">.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>May \u2013 and on, 2024<br \/>\nVarious locations in Toronto and the GTA<\/strong><\/p>\n<p>With so much choices of Canadian and international artists exhibiting, it isn\u2019t easy picking exhibits to see<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/v2.artoronto.ca\/?p=53482\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":53475,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,4],"tags":[],"class_list":["post-53482","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-features"],"_links":{"self":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/53482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=53482"}],"version-history":[{"count":26,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/53482\/revisions"}],"predecessor-version":[{"id":53522,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/53482\/revisions\/53522"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/53475"}],"wp:attachment":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=53482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=53482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=53482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}