{"id":49148,"date":"2022-04-28T13:33:55","date_gmt":"2022-04-28T17:33:55","guid":{"rendered":"https:\/\/www.artoronto.ca\/?p=49148"},"modified":"2022-05-19T14:52:23","modified_gmt":"2022-05-19T18:52:23","slug":"contact-2022-artoronto-picks","status":"publish","type":"post","link":"https:\/\/v2.artoronto.ca\/?p=49148","title":{"rendered":"CONTACT 2022 \/ Artoronto picks"},"content":{"rendered":"\n

In its 26th Edition, Scotiabank CONTACT Photography Festiva<\/strong>l features over 140 exhibitions and outdoor installations by Canadian and International artists throughout the Greater Toronto Area. So it won\u2019t easy to pick exhibits to see. We all look forward to seeing much more than the ones listed but these caught our interest and everyone is sure to have their own list as well.<\/p>\n\n\n\n

PHIL ANDERSON, publisher\/writer\/photographer:<\/strong><\/p>\n\n\n\n

Jimmy Manning: Floe \/ Flow<\/strong>
May 15 \u2013 September 30
Ryerson University Devonian Square, Gould St & Victoria<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Jimmy Manning, Icebergs, August, 2012. Courtesy of the artist<\/p>\n\n\n\n

Aida Muluneh: Water Life<\/strong>
April 27 \u2013 September 25
Textile Museum of Canada, 55 Centre Ave, Toronto<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Aida Muluneh, Star Shine, Moon Glow, 2018. Courtesy of the artist<\/p>\n\n\n\n

EMESE KRUN\u00c1K-HAJAGOS, publisher\/writer:<\/strong><\/p>\n\n\n\n

Carlos & Jason Sanchez: New Work<\/strong>
April 30 \u2013 May 28
Christopher Cutts Gallery, 21 Morrow Ave, Toronto<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Carlos & Jason Sanchez, Charlotte\u2019s Hallucination, 2022. Courtesy of the artist and Christopher Cutts Gallery<\/p>\n\n\n\n

Atong Atem: Surat<\/strong>
April 29 \u2013 May 30
Billboards, Lansdowne Ave at Dundas St W and College St <\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Atong Atem, from the series Surat, 2022<\/p>\n\n\n\n

STEVE ROCKWELL, publisher\/writer:<\/strong><\/p>\n\n\n\n

Shirin Neshat: <\/a>Land of Dreams<\/strong>
March 10 \u2013 July 31
MOCA, 158 Sterling Rd, Toronto <\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Shirin Neshat, Land of Dreams, 2019, video still. Courtesy of the artist<\/p>\n\n\n\n

Angela Grauerholz: Instant Resemblances<\/strong>
April 30 \u2013 May 28
Olga Korper Gallery, 17 Morrow Ave, Toronto <\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Angela Grauerholz, Red Chair in Red Room. 2022. Courtesy of the artist and Olga Korper Gallery<\/p>\n\n\n\n

HUGH ALCOCK, writer<\/strong><\/p>\n\n\n\n

Brendan George Ko: The Forest is Wired for Wisdom<\/strong>
April 29 \u2013 May 30
Billboards at King and Strachan Ave, Toronto<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Brendan George Ko, Big Lonely Doug I, 2019. Courtesy of the artist<\/p>\n\n\n\n

JENNIFER BOOTHBY, writer\/photographer:<\/strong><\/p>\n\n\n\n

Ryan Van Der Hout: Collecting Dust<\/strong>
May 5 \u2013 28
United Contemporary, 1444 Dupont St, Unit 22, Toronto <\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Ryan Van Der Hout, Stress Test, 2021. Courtesy of the artist and United Contemporary<\/p>\n\n\n\n

ANDREW COLEBECK, writer\/photographer:<\/strong><\/p>\n\n\n\n

Alberto Giuliani: Surviving Humanity<\/strong>
May 1 \u2013 31
Brookfield Place, 181 Bay St, Toronto<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Alberto Giuliani, Survival Condo, Kansas, US, 2017. Courtesy of the artist<\/p>\n\n\n\n

BRONWEN COX, writer\/photographer:<\/strong><\/p>\n\n\n\n

Jorian Charlton, Kadine Lindsay: fi di gyal dem<\/strong>
May 5 \u2013 August 26
University of Toronto, Scarborough, Virtual exhibition, Online<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Jorian Charlton, Untitled (Sidne and Kaverine), 2020. Courtesy of the artist<\/p>\n\n\n\n

ZHIYI FANG, writer\/photographer<\/strong>:<\/p>\n\n\n\n

Steven Laurie, Virginia Mak: Ghosts of Home<\/strong>
May 1 \u2013 August 31
Gladstone House, 1214 Queen St W, Toronto <\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Virginia Mak, Tai Nan Street 03, from the series of Tai Nan Street. Courtesy of the artist<\/p>\n\n\n\n

GEORGIA GARDNER, writer:<\/strong><\/p>\n\n\n\n

Fiona Freemark<\/strong>:<\/strong><\/a> Sunset Watch<\/strong>
May 5 \u2013 28
Dianna Witte Gallery, 1142 Queen St E, Toronto<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Fiona Freemark, Blackbird at Sunrise, 2022, hand cut photograph. Courtesy of the artist<\/p>\n\n\n\n

OLIVIA MARIKO HSUEN-FERRIS, writer\/photographer<\/strong><\/p>\n\n\n\n

Bidemi Oloyede: I Am Hu(e)Man<\/strong>
April 29 \u2013 August 31
PAMA, 9 Wellington St E, Brampton <\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Bidemi Oloyede, Shaquone Blake, 2020. Courtesy of the artist and Nicholas Metivier Gallery<\/p>\n\n\n\n

MEGAN KAMMERER, writer:<\/strong><\/p>\n\n\n\n

OF THE SACRED<\/strong>
Apr 21 \u2013 <\/a>June 5
Critical Distance Centre, 401 Richmond St W, Ste 122, Toronto<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Yelaine Rodriguez, EBB\u00d3 (Sacrifice): Orula, The Witness, 2021. Courtesy of the artist<\/p>\n\n\n\n

CATHY LIU, photographer:<\/strong><\/p>\n\n\n\n

Whitney Lewis-Smith: Biophilia<\/strong>
May 5 \u2013 28
Bau-Xi Gallery, 350 Dundas St W, Toronto<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Whitney Lewis-Smith, Chimera Fukinagashi Bonsai, 2021<\/p>\n\n\n\n

LINA WENG, writer:<\/strong><\/p>\n\n\n\n

Sandra Brewster: Roots<\/strong>
May 1 \u2013 October 31
Evergreen Brick Works, 550 Bayview Ave, Ste 300, Toronto<\/p>\n\n\n\n

\"\"<\/a><\/figure><\/div>\n\n\n\n

Sandra Brewster, Roots 1, 2021 \u2013 22, gel transfer on pressure treated wood. Courtesy of the artist<\/p>\n\n\n\n

Images are courtesy of Scotiabank CONTACT Photography Festival.<\/p>\n\n\n\n

To make your own selection of exhibition visits please click here.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

May \u2013 August, 2022
\n
Various locations in Toronto and the GTA<\/strong><\/p>\n

With so much choices of Canadian and international artists exhibiting, it isn\u2019t easy picking exhibits to see.<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":1,"featured_media":49185,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,4],"tags":[],"class_list":["post-49148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-features"],"_links":{"self":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/49148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=49148"}],"version-history":[{"count":40,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/49148\/revisions"}],"predecessor-version":[{"id":49366,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/49148\/revisions\/49366"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/49185"}],"wp:attachment":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=49148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=49148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=49148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}