{"id":48582,"date":"2022-02-19T15:59:03","date_gmt":"2022-02-19T20:59:03","guid":{"rendered":"https:\/\/www.artoronto.ca\/?p=48582"},"modified":"2022-02-19T16:17:45","modified_gmt":"2022-02-19T21:17:45","slug":"being-opening-reception-at-propeller-art-gallery","status":"publish","type":"post","link":"https:\/\/v2.artoronto.ca\/?p=48582","title":{"rendered":"BEING+ Opening Reception at Propeller"},"content":{"rendered":"\n<p>In 2020 the Toronto Outdoor Art Fair (TOAF) started to organize online exhibitions providing the artists with a forum to express themselves and show their work despite the challenges created by the pandemic.<\/p>\n\n\n\n<p>The Flavio Belli Curator Award gives students, like Abisola Oni, a chance to demonstrate their ideas and learn the role of a curator, while being helped by a senior curator, and supported by the Government of Canada and the Department of Canadian Heritage.<\/p>\n\n\n\n<p>Under the umbrella of TOAF, located in Propeller Art Gallery, <em>BEING+<\/em> is an exhibition addressing \u201crelation to social and cultural phenomena by expressing diverse subjectivities through formal elements and subject matter.\u201d Curator, Abisola Oni approaches \u201cvisual and cultural criticism from a philosophical perspective.\u201d She chose six artists: Michelle Cieloszczyk, Biba Esaad, Miles Ingrassia, Noah Lima, Roxana Parsa and Michelle Rodrigues; representing different themes through various medias.<\/p>\n\n\n\n<p>On January 15, 2022, TOAF and Propeller Art Gallery launched an opening reception on Zoom for the exhibition.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2022\/02\/rsz_prop_talk.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2022\/02\/rsz_prop_talk-1024x320.png\" alt=\"\" class=\"wp-image-48577\" width=\"567\" height=\"178\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/rsz_prop_talk-1024x320.png 1024w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/rsz_prop_talk-250x78.png 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/rsz_prop_talk-150x47.png 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/rsz_prop_talk-768x240.png 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/rsz_prop_talk-1536x480.png 1536w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/rsz_prop_talk-160x50.png 160w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/rsz_prop_talk.png 1852w\" sizes=\"auto, (max-width: 567px) 100vw, 567px\" \/><\/a><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\">Screenshot of the Opening Reception on January 15, 2022<\/p>\n\n\n\n<p>Michelle Cieloszczyk<a> <\/a>is the only artist in the exhibition who used 3D media to voice her visual criticism. She explained, \u201cMy recent artworks pore over the politics of policing, considering the roles and structures of authority through castings of uniforms.\u201d<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2022\/02\/chain-of-commandcorroding-cup.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2022\/02\/chain-of-commandcorroding-cup-1024x402.jpg\" alt=\"\" class=\"wp-image-48574\" width=\"438\" height=\"172\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/chain-of-commandcorroding-cup-1024x402.jpg 1024w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/chain-of-commandcorroding-cup-250x98.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/chain-of-commandcorroding-cup-150x59.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/chain-of-commandcorroding-cup-768x301.jpg 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/chain-of-commandcorroding-cup-1536x603.jpg 1536w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/chain-of-commandcorroding-cup-160x63.jpg 160w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/chain-of-commandcorroding-cup.jpg 1738w\" sizes=\"auto, (max-width: 438px) 100vw, 438px\" \/><\/a><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\">Michelle Cieloszczyk, Chain of Command, 2020, plaster, iron filings, iron powder, resin, wire, rod, 20.625 x 19 x 0.5 inches (left) &amp; Corroding cap 1, 2019, plaster, iron filings, iron powder, 10.75 x 5 x 12 inches (right)<\/p>\n\n\n\n<p>Biba Esaad<a> <\/a>uses semi-abstract shapes and vibrant colours to depict a utopian life in the future. She claims, \u201cI root my practice in an exploration of an imagined queer future whereby embodied oppressions can be transcended. The cyborg aims to surpass the limitations of an alienating present, coding itself as a kind of disassembled; reassembled postmodern being.\u201d&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2022\/02\/having-a-coke-with-you.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2022\/02\/having-a-coke-with-you.jpg\" alt=\"\" class=\"wp-image-48575\" width=\"175\" height=\"264\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/having-a-coke-with-you.jpg 500w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/having-a-coke-with-you-166x250.jpg 166w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/having-a-coke-with-you-99x150.jpg 99w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/having-a-coke-with-you-160x241.jpg 160w\" sizes=\"auto, (max-width: 175px) 100vw, 175px\" \/><\/a><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\">Biba Esaad, Having a Coke with You, 2020, oil paint and mixed media on textured fine art paper, 13.25 x 20.375 x 0.25 inches<\/p>\n\n\n\n<p>Miles Ingrassia<a> <\/a>works from reference photographs in depicting everyday life situations. He expresses the idea of a male, focusing on the elements of masculinity. However, his personal view is much more complex and honest, expressing feelings about being different, isolation, loneliness and embarrassment. His paintings invite the viewers to think about and revise the idea of \u2018male\u2019 in our very special contemporary circumstances.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2022\/02\/rsz_tree_line.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2022\/02\/rsz_tree_line.jpg\" alt=\"\" class=\"wp-image-48579\" width=\"224\" height=\"224\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/rsz_tree_line.jpg 936w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/rsz_tree_line-250x250.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/rsz_tree_line-150x150.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/rsz_tree_line-768x770.jpg 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/rsz_tree_line-160x160.jpg 160w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/a><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\">Miles Ingrassia, Tree Line, oil on panel, 2020, 48 x 48 x 1.125 inches<\/p>\n\n\n\n<p>Noah Lima is a trans male artist who states, \u201cNo matter how you appear, if you feel like being more feminine or masculine at times, you are still who you are and are equal to everyone else. In the series, the flowers represent femininity, but the flowers I have chosen are considered masculine.\u201d Lima uses art to analyze the idea of gender by depicting various symbols like bugs (male symbols) as well as male\/female organs in order to turn our attention to gender limitation and equality.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2022\/02\/sock-packer-vase.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2022\/02\/sock-packer-vase.png\" alt=\"\" class=\"wp-image-48581\" width=\"188\" height=\"247\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/sock-packer-vase.png 780w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/sock-packer-vase-190x250.png 190w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/sock-packer-vase-114x150.png 114w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/sock-packer-vase-768x1008.png 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/sock-packer-vase-160x210.png 160w\" sizes=\"auto, (max-width: 188px) 100vw, 188px\" \/><\/a><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\">Noah Lima, Flower Sock Packer Vase, 2021, watercolour, gouache, watercolour pencil, charcoal, 11 x 14 inches<\/p>\n\n\n\n<p>Born in an Iranian immigrant family, Roxana Parsa\u2019s<a> <\/a>central theme is family and her role as a daughter. She uses family photographs and other memorabilia as references for her everyday life scenes. With her simple brushstrokes and strong palette, she creates a dream-like atmosphere where past and present melt into each other, outlining a narrative.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2022\/02\/sisters.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2022\/02\/sisters-798x1024.jpg\" alt=\"\" class=\"wp-image-48580\" width=\"217\" height=\"278\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/sisters-798x1024.jpg 798w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/sisters-195x250.jpg 195w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/sisters-117x150.jpg 117w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/sisters-768x986.jpg 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/sisters-160x205.jpg 160w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/sisters.jpg 1024w\" sizes=\"auto, (max-width: 217px) 100vw, 217px\" \/><\/a><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\">Roxana Parsa, Sisters, 2021, acrylic on canvas board, 11 x 13.75 x 0.25 inches<\/p>\n\n\n\n<p>Michelle Rodrigues shows the social and cultural motions of \u2018what it means to be a woman.\u2019 She uses elements of printmaking and bright colours to express different topics, such as nostalgia, belonging, love, and the mass recognition of the idea of \u2018women\u2019. Even though it seems confusing at first sight, each layer has its own meaning. As the artist explained, \u201cThese collage works are created by covering and overlapping multiple layers of collected magazine images. Each layer is carefully and meaningfully constructed, then completely covered. Previous collages are let go of, only to be rediscovered with a new perspective through excavating by scratching, and tearing through the layers.\u201d The outcome is mesmerizing.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2022\/02\/I-Want-You-Most.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2022\/02\/I-Want-You-Most-835x1024.jpg\" alt=\"\" class=\"wp-image-48576\" width=\"219\" height=\"268\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/I-Want-You-Most-835x1024.jpg 835w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/I-Want-You-Most-204x250.jpg 204w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/I-Want-You-Most-122x150.jpg 122w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/I-Want-You-Most-768x942.jpg 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/I-Want-You-Most-160x196.jpg 160w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2022\/02\/I-Want-You-Most.jpg 1024w\" sizes=\"auto, (max-width: 219px) 100vw, 219px\" \/><\/a><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center\">Michelle Rodrigues, I Want You Most, 2020, collage, 8 x 10 x 1.5 inches<\/p>\n\n\n\n<p>It was very interesting to listen to all the artists and learn about their lives and artistic methods. Abisola Oni made an interesting and excellent selection, as all the artists are very different and unique in their thematic approach and techniques, creating together a rich tableau of contemporary art in the GTA. It will be interesting to follow their careers in the future.<\/p>\n\n\n\n<p>Lina Weng<\/p>\n\n\n\n<p>Images are courtesy of TOAF *Exhibition information: BEING+ Emerging Artists by Emerging Curator, curated by Abisola Oni. Exhibiting artists: Michelle Cieloszczyk, Biba Esaad, Miles Ingrassia, Noah Lima, Roxana Parsa and Michelle Rodrigues. <a href=\"https:\/\/propellerartgallery.com\/exhibitions\/being\/\">Online now<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>by Lina Weng<\/strong><\/p>\n<p>Under the umbrella of TOAF,  BEING+ is an exhibition by emerging curator Abisola Oni showing six emerging artists<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/v2.artoronto.ca\/?p=48582\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":48588,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-48582","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features"],"_links":{"self":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/48582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=48582"}],"version-history":[{"count":10,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/48582\/revisions"}],"predecessor-version":[{"id":48594,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/48582\/revisions\/48594"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/48588"}],"wp:attachment":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=48582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=48582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=48582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}