{"id":47954,"date":"2021-11-16T19:08:20","date_gmt":"2021-11-17T00:08:20","guid":{"rendered":"https:\/\/www.artoronto.ca\/?p=47954"},"modified":"2021-11-17T17:31:25","modified_gmt":"2021-11-17T22:31:25","slug":"janieta-eyre-at-christopher-cutts-gallery","status":"publish","type":"post","link":"https:\/\/v2.artoronto.ca\/?p=47954","title":{"rendered":"Janieta Eyre at Christopher Cutts Gallery"},"content":{"rendered":"\n

An auto-biography of the unNatural<\/em>, an exhibition, both public and online, at the Christopher Cutts Gallery, featuring artist Janieta Eyre\u2019s three decades of work. Janieta Eyre herself describes the exhibition as: \u201cInspired by the writings of Elena Ferrante and the sculpture of Patricia Piccinini, both of whom examine themes of disappearance and the monstrous, An auto-biography of the unNatural<\/em> is an examination of the female as strange and stranger.\u201d<\/p>\n\n\n\n

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North Gallery Installation<\/p>\n\n\n\n

Eyre\u2019s bold and elaborate style is undoubtedly one of a kind. Her wild imagination is shown through the settings, costumes, makeup, and props of her self-portraits. A lot of the patterns on her costumes match exactly with the ones on the wallpapers which creates a unique sense of dimensionality and continuity. Vibrant colours and geometric shapes can be chaotic for the viewer, but Eyre does an excellent job of putting them together in a meaningful way. The result becomes her own storytelling visual device that explores themes of identity, motherhood, and women.<\/p>\n\n\n\n

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Untitled #3 from my terrible loneliness<\/em>, 2018, C-print, Edition of 5, 27.5 x 39.5 inches <\/p>\n\n\n\n

From the installation views, I notice that there is no labels or descriptions of these images which make them challenging for the viewers to interpret. Luckily, there are titles in the exhibition catalogue, and some of the images include texts in them. In Untitled #2 from my terrible loneliness<\/em>, there is a line of text at the bottom that says: \u201cThere has always been more than one of me. Don\u2019t be misled by your eyes. Get your calculator. Add up the days, the hours and the minutes I\u2019ve been alive. I\u2019ve left the skins of my selves everywhere. It\u2019s not my fault you haven\u2019t noticed.\u201d There is also one in between the figures: \u201cSo you too can see my guru.\u201d The idea that Eyre has a double of herself is a recurring theme in her works.<\/p>\n\n\n\n

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Untitled #2 from my terrible loneliness,<\/em> 2018, C-print, Edition of 5, 40 x 26.6 inches <\/p>\n\n\n\n

Eyre is shown twice in a lot of the images in different postures or wearing different costumes. It makes me think about how sometimes people wish that they are not alone, and they would imagine having a friend. Eyre\u2019s works could be a variation of self or illustrating that there is someone like her in the world. In fact, in her artist statement, Eyre states that she had a Siamese twin sister who died during the separation surgery. Though her sister no longer exists in real life, Eyre is perhaps trying to portray the presence of her sister on these images by showing herself as a twin. Her images, a form of autobiography, are not about the physical world but a way to complete her narrative beyond true experiences. Eyre says: \u201cwhile discarding my everyday life, I document an invisible one \u2026 and so begin to construct an autobiography that depends less on reality than possibility.\u201d<\/p>\n\n\n\n

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Untitled #13 from my terrible loneliness,<\/em> 2018, C-print, Edition of 5, 28.6 x 40 inches<\/p>\n\n\n\n

Eyre also says: \u201cas an adult I no longer know if I have genuine memories or if all I really possess is what I\u2019ve elaborated from my parents\u2019 arbitrary documentation of my infancy.\u201d I very much relate to her idea of fleeting and unreliable memory. In a series of images titled In the Scream of Things,<\/em> Eyre depicts herself as a child in places filled with butterflies, flying dishes, cats, couches, picture books and other common household objects. <\/p>\n\n\n\n

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In the Scream of Things #1<\/em>, 2007, C-print, Edition of 5, 8.25 x 7 inches (21 x 17.7 cm)<\/p>\n\n\n\n

Parts of them are probably real objects from her childhood, while others are added later. The vivid circles in her eyes and on these images convey a sense of unnaturalness and show the viewer that she does not have all the exact memories. Again, these images are not a documentation of what really happened at that time but Eyre\u2019s odd and almost unreal memories of the past.<\/p>\n\n\n\n

<\/p>\n\n\n\n

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South Gallery Installation <\/p>\n\n\n\n

Zhiyi Fang<\/p>\n\n\n\n

Images are courtesy of Janieta Eyre.<\/p>\n\n\n\n

*Exhibition information: An auto-biography of the unNatural<\/a>,<\/em> October 16 \u2013 November 13, 2021, the Christopher Cutts Gallery, 21 Morrow Ave, Toronto. Gallery hours: Tue \u2013 Sat, 10 \u2013 6pm. You can also learn more about the artist here.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

by Zhiyi Fang<\/strong>
\n
An auto-biography of the unNatural<\/em> is an examination of the female as strange and stranger.<\/p>\n

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