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<\/a><\/figure><\/div>\n\n\n\nAB \/ EX Opening reception on October 24, 2020 at the Canadian Sculpture Centre. Photo: Peter Virun<\/p>\n\n\n\n
When you think about sculpture, even abstract sculpture, you first consider the material, then shape, maybe movement, but not light. There were two artists who encapsulated light in their sculptures in very different ways. Barbara Fletcher created a marvellous illusion in her cast acrylic and mirror pieces. The crystal shaped compositions reflect the light or are darkened by it, depending on the angle of the light. The green and blue colors further enrich the visuals.<\/p>\n\n\n\n
<\/a><\/figure><\/div>\n\n\n\nBarbara Fletcher, A Complimentary Couple (L) & Optical Illusion Perfected (R), both cast acrylic, mirror. Photo: Emese Krunak-Hajagos <\/p>\n\n\n\n
Sergey Ragozin takes us into a different world, to a far away galaxy. The work is a manmade structure, an edgy cube built of metal wires. Some tubes and finer wires create an inner structure that might be some kind of machinery or a place for some strange species. What makes it mesmerizing is how the ambient light reaches inside and gives movement to an otherwise rigid construction.<\/p>\n\n\n\n
<\/a><\/figure><\/div>\n\n\n\nSergey Ragozin, Galaxy Station, mixed-media. Photo: Emese Krunak-Hajagos <\/p>\n\n\n\n
Abstract artworks always focus the viewer\u2019s attention on the beauty of the materials. The beautiful color of Mary Ellen Farrow\u2019s alabaster sculpture, Faith, <\/em>is further emphasized by the white sphere in the middle, creating a sensitive balance. The veins of the stone accentuate the intricate curving shape of Dina Torrans\u2019 statuette. Wayfarer<\/em> by John Clinton works like a magnet as visitors tend to get closer and closer to it in order to enjoy the amazing pattern of the reclaimed plywood.<\/p>\n\n\n\n Mary Ellen Farrow, Faith, alabaster (L) & Dina Torrans, Enso, Danby imperial marble, granite (R). Courtesy of Canadian Sculpture Centre<\/p>\n\n\n\n John Clinton, Wayfarer, reclaimed plywood. Photo: Emese Krunak-Hajagos <\/p>\n\n\n\n Peter Alexander Por\u2019s almost figurative creations stand with grace. The artist put together seemingly unrelated machinery parts that we would never imagine together and the outcome is very playful. The complicated ornamentation of the positive and negative shapes Gord Smith created become more enchanting with the rich golden light the copper reflects.<\/p>\n\n\n\n Peter Alexander Por, Robert\u2019s Message (L) and Lovejoy (R), both mixed metals. Photo: Emese Krunak-Hajagos <\/p>\n\n\n\n Gord Smith, Optic Screen Horizontal, copper. Photo: Emese Krunak-Hajagos <\/p>\n\n\n\n Andy Berg combines different materials in Onocleas Sensibilis<\/em>. The dark, tree-trunk-like columns hold a very beautiful fern leaf giving us a feeling of nature\u2019s triumph. Irene Sirko and Tom Ashbourne work the stone until it shines with inner beauty. The trees seem to sing as they still reach toward the sky in Yeon-Tak Chang wood sculptures. In Judy Raymar Ivkoff\u2019s Interactions <\/em>two very different materials are combined with a strong line dividing them, so they both keep their characters. In Edward Falkenberg\u2019s work the wood, stone, metal and plastic embrace to create a unique piece.<\/p>\n\n\n\n Andy Berg, Onocleas Sensibilis, stoneware, porcelain, glazes, oil paint. Photo: Emese Krunak-Hajagos <\/p>\n\n\n\n Irene Sirko, A Matter of Degree, serpentine (L) & Tom Ashbourne, Elation, purple wonderstone, granite (R). Courtesy of Canadian Sculpture Centre <\/p>\n\n\n\n Yeon-Tak Chang, Treescape, maple wood (L) and Origin, willow wood (R). Courtesy of Canadian Sculpture Centre <\/p>\n\n\n\n<\/a><\/figure><\/div>\n\n\n\n<\/a><\/figure><\/div>\n\n\n\n<\/a><\/figure><\/div>\n\n\n\n<\/a><\/figure><\/div>\n\n\n\n<\/a><\/figure><\/div>\n\n\n\n<\/a><\/figure><\/div>\n\n\n\n<\/a><\/figure><\/div>\n\n\n\n