{"id":43485,"date":"2019-08-27T18:03:11","date_gmt":"2019-08-27T22:03:11","guid":{"rendered":"https:\/\/www.artoronto.ca\/?p=43485"},"modified":"2019-08-28T12:25:11","modified_gmt":"2019-08-28T16:25:11","slug":"sondra-meszaros-at-corkin-gallery","status":"publish","type":"post","link":"https:\/\/v2.artoronto.ca\/?p=43485","title":{"rendered":"Sondra Meszaros at Corkin Gallery"},"content":{"rendered":"\n<p>In the age of reclaiming identities,\nconfronting social structures has become paramount in rethinking our social\nhierarchy. The ever-present patriarchal dominance makes the process of regaining\nfemininity and equal power to women rather challenging.<\/p>\n\n\n\n<p>Sondra Meszaros takes this on with her latest work, <em>Two Blazing Glares, For Her Pierce<\/em>. Varied portrayals of female bodies, interplay between nudity and violence create the main theme of her work. A clear touch of revision is present in each piece as she uses photomontage to modify found images from early-twentieth century erotica. Through this process she is overturning their purpose for male consumption by correcting the framework they once belonged to. I use the word \u2018correct\u2019 here to describe what Meszaros successfully accomplished with her conveyance of female nudity. Rather than succumbing to the perverse attributions of male dominance, the artist takes the power back and gives autonomy to her once-imprisoned female characters. <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/08\/rsz_inst.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/08\/rsz_inst.jpg\" alt=\"\" class=\"wp-image-43477\" width=\"410\" height=\"272\"\/><\/a><\/figure><\/div>\n\n\n\n<p style=\"text-align:center\">Installation view with (L-R) Sondra Meszaros, <em>Damned #1<\/em>, <em>strange spot #1<\/em> and <em>Damned #9<\/em><\/p>\n\n\n\n<p>Upon entering the gallery, three large works greet the viewers, immediately setting the show\u2019s vibe. On either side are <em>Damned #1<\/em> and <em>Damned #9 <\/em>(2019) presenting nude female forms predominantly covered with black pigment while only revealing slivers of their bare-naked bodies. Flanked in between is <em>strange spot #1 <\/em>(2019).&nbsp; Mounted in vibrant red pigment, the work stages a female figure posed in midmotion of spanking the unadorned bottom she has been overlaid with.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/08\/rsz_strange_spot_1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/08\/rsz_strange_spot_1.jpg\" alt=\"\" class=\"wp-image-43486\" width=\"211\" height=\"319\"\/><\/a><\/figure><\/div>\n\n\n\n<p style=\"text-align:center\">Sondra Meszaros<em>, strange spot #1,<\/em> 2019, oil pastel on digital pigment print on rag paper, 53 x 41 inches<\/p>\n\n\n\n<p>It is inevitable to associate female nudity with violence. Many of these photographs were originally displayed for exploitation where women were positioned in subservience to their male counterparts. In this exhibition Meszaros reclaims the female body, putting her in charge of her own fate by stripping her sex-slave identity, as the black veil of pigment covers most of her body from the male gaze, replacing the impulse of male violence with female strength and ferocity.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/08\/rsz_damned_10.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/08\/rsz_damned_10.jpg\" alt=\"\" class=\"wp-image-43488\" width=\"229\" height=\"294\"\/><\/a><\/figure><\/div>\n\n\n\n<p style=\"text-align:center\">Sondra Meszaros, <em>Damned #10<\/em>, 2019, mixed media,&nbsp;digital pigment print on rag paper, 52 x 41 inches<\/p>\n\n\n\n<p>The exhibition felt like a step back in time with its Dada-inspired outlook.&nbsp;Set against the Corkin Gallery\u2019s vast industrial space, the show negotiates between modern and contemporary sensibilities visible not only in Meszaros\u2019 use of avant-garde aesthetics but also in the underlining message of the images. They not only confront injuring gender roles, but also proclaim rebellion against patriarchal practices. They declare emancipation from longstanding gender stereotypes where women are pervasively marginalized. The artist suggests a resolution to the subservience of women in the early-twentieth century by reworking them in acts where they are empowered to reclaim their sexuality.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/08\/rsz_13.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/08\/rsz_13.jpg\" alt=\"\" class=\"wp-image-43480\" width=\"441\" height=\"268\"\/><\/a><\/figure><\/div>\n\n\n\n<p style=\"text-align:center\">Sondra Meszaros, <em>it\u2019s damned if you don\u2019t and it\u2019s damned if you do #15<\/em>, 2019, mixed media collage on found image, 12 1\/4&nbsp;x 14 3\/4&nbsp;inches<\/p>\n\n\n\n<p>Sondra Meszaros\u2019 body of work is both invigorating and stimulating. Challenging its viewers to examine their own gender biases, <em>Two Blazing Glares, For Her Pierce<\/em> acts and reacts against misogynistic representations of women, successfully reclaiming female identity. <\/p>\n\n\n\n<p>Maria Mendoza Camba<\/p>\n\n\n\n<p>Images are courtesy of Corkin\nGallery<\/p>\n\n\n\n<p>*Exhibition information: April 27 \u2013\nSeptember 1, 2019, Corkin Gallery, 7 Tank House Lane, Distillery District,\nToronto. Gallery hours: Tue -Sat: 10 am \u2013 6 pm; Sun: 12 \u2013 5 pm.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>by Maria Mendoza Camba<\/strong><\/p>\n<p>Meszaros reclaims the female body, putting her in charge of her own fate by stripping her sex-slave identity, as the black veil of pigment covers most of her body from the male gaze, replacing the impulse of male violence with female strength and ferocity.<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/v2.artoronto.ca\/?p=43485\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":43492,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,223],"tags":[],"class_list":["post-43485","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-maria-mendoza-camba"],"_links":{"self":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/43485","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=43485"}],"version-history":[{"count":14,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/43485\/revisions"}],"predecessor-version":[{"id":43510,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/43485\/revisions\/43510"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/43492"}],"wp:attachment":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=43485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=43485"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=43485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}