{"id":42703,"date":"2019-05-02T20:24:09","date_gmt":"2019-05-03T00:24:09","guid":{"rendered":"https:\/\/www.artoronto.ca\/?p=42703"},"modified":"2019-06-01T16:36:50","modified_gmt":"2019-06-01T20:36:50","slug":"contact-2019-artoronto-picks","status":"publish","type":"post","link":"https:\/\/v2.artoronto.ca\/?p=42703","title":{"rendered":"CONTACT 2019 \/ Artoronto picks"},"content":{"rendered":"\n<p>It is the 23rd Scotiabank Contact Photography Festival, the largest photography festival in the world. With so much choices of Canadian and international artists exhibiting throughout the Greater Toronto Area, it isn\u2019t easy picking exhibits to see. We all look forward to seeing much more than the ones listed but these caught our interest and everyone is sure to have their own list as well.<\/p>\n\n\n\n<p><strong>PHIL ANDERSON, publisher\/writer:<\/strong><\/p>\n\n\n\n<p><strong>Meryl McMaster: As Immense as the Sky<\/strong><br \/>May 1\u2013 August 4, 2019<br \/>Ryerson Image Centre <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/4_MerylMcMasterOnTheEdgeofThisImmensity.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/4_MerylMcMasterOnTheEdgeofThisImmensity.jpg\" alt=\"\" class=\"wp-image-42706\" width=\"400\" height=\"265\"\/><\/a><figcaption>Meryl McMaster, On The Edge of This Immensit, 2019. <\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>Shari Kasman: Memories of the Galleria Mall<\/strong><br \/>May 3\u20135, 2019<br \/>Geary Lane <\/p>\n\n\n\n<p><strong>Sarah Anne Johnson: THIS LAND<\/strong><br \/>May 4 \u2013 June 15, 2019<br \/>Stephen Bulger Gallery<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Johnson_Bedazzeled-Sunset_2018.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Johnson_Bedazzeled-Sunset_2018.jpg\" alt=\"\" class=\"wp-image-42708\" width=\"399\" height=\"282\"\/><\/a><figcaption>Sarah Anne Johnson, Sunset #2 (Bedazzled), 2018<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>EMESE KRUN\u00c1K-HAJAGOS,&nbsp;publisher\/writer:<\/strong><\/p>\n\n\n\n<p><strong>Michael Tsegaye: Future Memories<\/strong><br \/>April 25 \u2013 June 2, 2019<br \/>BAND Gallery<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Michael-Tsegaye-.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Michael-Tsegaye-.jpg\" alt=\"\" class=\"wp-image-42710\" width=\"213\" height=\"320\"\/><\/a><figcaption>Michael Tsegaye, Chasms of the Soul: XXVIII, 2010. <\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>Moira Ness, Sage Szkabarnicki-Stuart: Revelation<\/strong><br \/>May 1 \u2013 June 9, 2019<br \/>Gladstone Hotel<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/SageSzkabarnicki-Stuart_urban-stream_2018websize-1280x853.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/SageSzkabarnicki-Stuart_urban-stream_2018websize-1280x853.jpg\" alt=\"\" class=\"wp-image-42711\" width=\"400\" height=\"266\"\/><\/a><figcaption>Sage Szkabarnicki-Stuart, Urban Stream, 2018<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>Caroline Monnet: A Whole Made of Many Parts<\/strong><br \/>April 11 \u2013 June 8, 2019<br \/>Arsenal Contemporary Toronto<\/p>\n\n\n\n<p><strong>STEVE ROCKWELL, publisher\/writer:<\/strong><\/p>\n\n\n\n<p><strong>Carrie Mae Weems: Blending the Blues<\/strong><br \/>May 1 \u2013 July 27, 2019<br \/>CONTACT Gallery<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Carrie-Mae-Weems.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Carrie-Mae-Weems.jpg\" alt=\"\" class=\"wp-image-42712\" width=\"401\" height=\"261\"\/><\/a><figcaption>Carrie Mae Weems, Color Real and Imagined, 2014 <\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>Scotiabank Photography Award: Moyra Davey<\/strong><br \/>May 1 \u2013 August 4, 2019<br \/>Ryerson Image Centre<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/rsz_3_moyradavey.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/rsz_3_moyradavey.jpg\" alt=\"\" class=\"wp-image-42767\" width=\"400\" height=\"264\"\/><\/a><figcaption>Moyra Davey, Subway Writers (detail), 2011\/2014<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>HUGH ALCOCK, writer<\/strong><\/p>\n\n\n\n<p><strong>Sputnik Photos LTA10: Palimpsest<\/strong><br \/>April 29 \u2013 May 31, 2019<br \/>Brookfield Place, Allen Lambert Galleria<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/sputnik.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/sputnik.jpg\" alt=\"\" class=\"wp-image-42714\" width=\"376\" height=\"288\"\/><\/a><figcaption>Sputnik Photos, Kazakhstan, Semipalatynsk Nuclear Test Site, 2016.<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>Jessica Thalmann, An endless, formless ruin<\/strong><br \/>May 4 \u2013 June 1, 2019<br \/>Angell Gallery<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/thalmann.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/thalmann.jpg\" alt=\"\" class=\"wp-image-42715\" width=\"254\" height=\"331\"\/><\/a><figcaption>Jessica Thalmann, Such Places as Memory (Seattle I), 2019.<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>XIAOTONG CAO,&nbsp;writer\/photographer:<\/strong><\/p>\n\n\n\n<p><strong>Zinnia Naqvi: Yours to Discover<\/strong><br \/>May 2 \u2013 October 20, 2019<br \/>Peel Art Gallery Museum and Archives<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/zinnia.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/zinnia.jpg\" alt=\"\" class=\"wp-image-42731\" width=\"421\" height=\"262\"\/><\/a><figcaption>Zinnia Naqvi, A Whole New World \u2013 CN Tower, 1988, 2019<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>Developing Historical Negatives \/ Group Exhibition<\/strong><br \/>May 3 \u2013 June 1, 2019<br \/>Gallery 44<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/5_Nguyen2018.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/5_Nguyen2018.jpg\" alt=\"\" class=\"wp-image-42730\" width=\"291\" height=\"278\"\/><\/a><figcaption>Jacqueline Ho\u00e0ng Nguy\u1ec5n, Untitled, from the series Presence in Absentia, 2018-2019<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>NATHAN FLINT writer\/photographer:<\/strong><\/p>\n\n\n\n<p><strong>Naomi Harris: Hollywood Furever<\/strong><br \/>May 11 &#8211; 26, 2019<br \/>Stackt<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Naomi-Harris-Weston-Fira-2018.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Naomi-Harris-Weston-Fira-2018.png\" alt=\"\" class=\"wp-image-42716\" width=\"373\" height=\"300\"\/><\/a><figcaption>Naomi Harris, Weston Fira, 2018&nbsp; <\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>Beatrice Gibson: Plural Dreams of Social Life<\/strong><br \/>April 13 \u2013 June 1, 2019<br \/>Mercer Union<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Beatrice-Gibson-I-Hope-Im-Loud-When-Im-Dead-2018.-Film-still..png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Beatrice-Gibson-I-Hope-Im-Loud-When-Im-Dead-2018.-Film-still..png\" alt=\"\" class=\"wp-image-42717\" width=\"425\" height=\"238\"\/><\/a><figcaption>Beatrice Gibson, I Hope I&#8217;m Loud When I&#8217;m Dead, 2018. Film still.&nbsp;<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>ELENA IOURTAEVA, writer \/photographer<\/strong><\/p>\n\n\n\n<p><strong>Photography Collection: Women in Focus 1920s to 1940s<\/strong><br \/>April 27 &#8211; November 10, 2019<br \/>AGO<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Lotte-Jacobi.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Lotte-Jacobi.jpg\" alt=\"\" class=\"wp-image-42718\" width=\"239\" height=\"320\"\/><\/a><figcaption>Lotte Jacobi, Portrait of Claire Bauroff, Berlin, around 1928.<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>MARIA MENDOZA CAMBA writer:<\/strong><\/p>\n\n\n\n<p><strong>Sondra Meszaros: two blazing glares, for her pierce<\/strong><br \/>April 27 \u2013 June 30, 2019<br \/>Corkin Gallery<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Websize_Meszaros_damned.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Websize_Meszaros_damned.jpg\" alt=\"\" class=\"wp-image-42779\" width=\"260\" height=\"340\"\/><\/a><figcaption>Sondra Meszaros, it\u2019s damned if you don\u2019t and it\u2019s damned if you do, 2018 <\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>Roger LeMoyne: The Republic of Port-au-Prince<\/strong><br \/>May 1 \u2013 31, 2019<br \/>Nikola Rukaj Gallery<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/LaRepublique.fire_.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/LaRepublique.fire_.jpg\" alt=\"\" class=\"wp-image-42778\" width=\"434\" height=\"224\"\/><\/a><figcaption>Roger LeMoyne, La R\u00e9publique de Port-au-Prince: March\u00e9 en Fer, January 2010, 2010<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>MIKAEL SANDBLOM writer\/photographer:<\/strong><\/p>\n\n\n\n<p><strong>Nadia Belerique: above and below and so on forever <\/strong><br \/>April 15 &#8211; June 8, 2019<br \/>Public Installation at Castle Frank Bus Station<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Nadia-Beringue.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Nadia-Beringue.jpg\" alt=\"\" class=\"wp-image-42719\" width=\"401\" height=\"265\"\/><\/a><figcaption>Nadia Belerique, from the series, above and below and so on forever, 2019<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>Alina Holodov: I am Cuba<\/strong><br \/>May 1 &#8211; 25, 2019<br \/>Elaine Fleck Gallery<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Model-Prison-interior-Isle-of-Youth-Photograph-2016.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Model-Prison-interior-Isle-of-Youth-Photograph-2016.png\" alt=\"\" class=\"wp-image-42720\" width=\"462\" height=\"215\"\/><\/a><figcaption>Alina Holodov, Model Prison (interior), Isle of Youth,&nbsp;2016<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>KEREN SEDMINA, writer\/photogrher:<\/strong><\/p>\n\n\n\n<p><strong>Ayana V. Jackson: Fissure<\/strong><br \/>May 1 &#8211; June 2, 2019<br \/>Campbell House Museum<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Ayana-V.-Jackson.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Ayana-V.-Jackson.jpg\" alt=\"\" class=\"wp-image-42721\" width=\"372\" height=\"285\"\/><\/a><figcaption>Ayana V. Jackson, Moments of Sweet Reprieve, from the series Intimate Justice in the Stolen Moment, 2017<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>G\u00fcnes-H\u00e9l\u00e8ne Isitan: Idea Projects<\/strong><br \/>May 1 &#8211; 31, 2019<br \/>Ontario Science Centre <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Isitan_New_World.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/Isitan_New_World.jpg\" alt=\"\" class=\"wp-image-42722\" width=\"400\" height=\"266\"\/><\/a><figcaption>G\u00fcnes-H\u00e9l\u00e8ne Isitan, New World, 2018. Image grown on photographic film from skin bacteria <\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>SIMON TERMINE,&nbsp;writer\/photographer:<\/strong><\/p>\n\n\n\n<p><strong>Mike Hoolboom &amp; Jorge Lozano: Configurations<\/strong><br \/>May 3 &#8211; June 29, 2019<br \/>A Space Gallery<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/JorgeLozano_BlackBoxcopy-1280x853.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/JorgeLozano_BlackBoxcopy-1280x853.jpg\" alt=\"\" class=\"wp-image-42723\" width=\"401\" height=\"267\"\/><\/a><figcaption>Jorge Lozano, Black Box, 2016. Film still.<\/figcaption><\/figure><\/div>\n\n\n\n<p><strong>Carrie Mae Weems: Heave<\/strong><br \/>May 4 &#8211; June 24, 2019<br \/>Art Museum of University of Toronto<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/A-Class-Ponders-the-Future_PJ-1280x1280.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artoronto.ca\/wp-content\/uploads\/2019\/05\/A-Class-Ponders-the-Future_PJ-1280x1280.jpg\" alt=\"\" class=\"wp-image-42733\" width=\"299\" height=\"299\"\/><\/a><figcaption>Carrie Mae Weems, A Class Ponders the Future, 2008.<\/figcaption><\/figure><\/div>\n\n\n\n<p>Images are courtesy of Scotiabank Contact Photography Festival<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>May \u2013 July, 2019<\/p>\n<p>Various locations in Toronto<\/strong><br \/>\n<br \/>With so much choices of Canadian and international artists exhibiting, it isn\u2019t easy picking exhibits to see.<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/v2.artoronto.ca\/?p=42703\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":42768,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[144,90,41,4,221,222,220,211,77,76,216],"tags":[],"class_list":["post-42703","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-elena-iourtaeva","category-emese-krunak-hajagos","category-events","category-features","category-hugh-alcock","category-keren-sedmina","category-mikael-sandblom","category-nathan-flint","category-phil-anderson","category-steve-rockwell","category-xiaotong-cao"],"_links":{"self":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/42703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=42703"}],"version-history":[{"count":43,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/42703\/revisions"}],"predecessor-version":[{"id":42980,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/42703\/revisions\/42980"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/42768"}],"wp:attachment":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=42703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=42703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=42703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}