{"id":36371,"date":"2016-11-11T19:12:39","date_gmt":"2016-11-12T00:12:39","guid":{"rendered":"http:\/\/www.artoronto.ca\/?p=36371"},"modified":"2016-12-04T13:49:12","modified_gmt":"2016-12-04T18:49:12","slug":"osheen-harruthoonyan-katherine-tzu-lan-mann-at-lonsdale","status":"publish","type":"post","link":"https:\/\/v2.artoronto.ca\/?p=36371","title":{"rendered":"Osheen Harruthoonyan &#038; Katherine Tzu-Lan Mann at Lonsdale Gallery"},"content":{"rendered":"<p>Lonsdale Gallery takes the visitors on an interesting tour with its two November shows: <em>A Circle of Bluebirds <\/em>by Osheen Harruthoonyan and <em>Overabundance <\/em>by Katherine Tzu-Lan Mann. In the main gallery there is a dream like atmosphere created by Harruthoonyan\u2019s black and white photographs that combine elements of the unexplored galaxy with common grass fields.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/11\/Osheen-Gallery.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-36374\" title=\"Osheen Gallery\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/11\/Osheen-Gallery.jpg\" alt=\"\" width=\"452\" height=\"301\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/Osheen-Gallery.jpg 1152w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/Osheen-Gallery-150x100.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/Osheen-Gallery-250x166.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/Osheen-Gallery-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 452px) 100vw, 452px\" \/><\/a>Installation view of\u00a0<em>A Circle of Bluebirds\u00a0<\/em>by Osheen Harruthoonyan at Lonsdale Gallery, 2016. Courtesy of Lonsdale Gallery<\/p>\n<p>Harruthoonyan creates an interesting framework, in which he juxtaposes the infinite universe with the insubstantial size of a human being \u2013 analyzing nature through the human eye. In <em>Black Mountain, <\/em>there is a familiar natural formation, a mountain, paired with voluminous clouds and a densely charged starry sky, a magnificent view that somehow is also disturbing. All the photographs from the <em>Circle of Bluebirds <\/em>series make the viewer reconsider the peaceful but also powerful nature.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_black_mountain.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-36376\" title=\"rsz_black_mountain\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_black_mountain.jpg\" alt=\"\" width=\"332\" height=\"342\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_black_mountain.jpg 420w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_black_mountain-145x150.jpg 145w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_black_mountain-243x250.jpg 243w\" sizes=\"auto, (max-width: 332px) 100vw, 332px\" \/><\/a>Osheen Harruthoonyan, <em>Black Mountain<\/em>, 2016, \u00a0toned gelatin silver print, 14.5 x 14.5 inches framed. Courtesy of Lonsdale Gallery<\/p>\n<p><em>In This Dream She is Terrified by the Pacific Ocean <\/em>is another spectacular depiction of the colossal beauty of nature. The foreground looks like a field of grass calmly bending in a wind and merging into the middle ground of huge waves and a spherical body of water. It is not what you see but the feeling that it creates that clears your mind \u2013 like a powerful meditation. Harruthoonyan based his photographs on observations of the cosmos and sky in different parts of the world, including Europe, the Middle East, and Canada, and used a layered technique to construct intricate narratives of time and history.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_pacific_ocean.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-36377\" title=\"rsz_pacific_ocean\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_pacific_ocean.jpg\" alt=\"\" width=\"377\" height=\"331\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_pacific_ocean.jpg 476w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_pacific_ocean-150x132.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_pacific_ocean-250x220.jpg 250w\" sizes=\"auto, (max-width: 377px) 100vw, 377px\" \/><\/a>Osheen Harruthoonyan,\u00a0<em>In This Dream She is Terrified by the Pacific Ocean<\/em>, 2016, split toned gelatin silver print, 18.5 x 21. 25 inches framed. Courtesy of Lonsdale Gallery<\/p>\n<p>Walking up the stairs, leaving the romantic, layered photographs behind an explosion of color greets the visitor. Kathrine Tzu-Lan Mann\u2019s multi-layered abstract paintings use organic motives in chaotic compositions. Her electric works were inspired by decorative forms around her, from Beijing opera costumes to sequin patterns.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/11\/kathrine2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-36375\" title=\"kathrine2\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/11\/kathrine2.jpg\" alt=\"\" width=\"457\" height=\"305\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/kathrine2.jpg 1152w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/kathrine2-150x100.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/kathrine2-250x166.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/kathrine2-1024x682.jpg 1024w\" sizes=\"auto, (max-width: 457px) 100vw, 457px\" \/><\/a>Installation view of\u00a0Katherine Tzu-Lan Mann,\u00a0<em>Overabundance\u00a0<\/em>at Lonsdale Gallery, 2016. Courtesy of Lonsdale Gallery<\/p>\n<p><em>Fallow<\/em> combines black and white leaf elements with large spurs of yellow, blue and green paint. Taking chances and allowing accidents to happen seems to be a central element of her works. She lets the viewer imagine the narratives and think about what each color could represent. Her technique is interesting and unique; she starts with underlining ink drawings then combines watery and thick paint \u2013 the outcome is very eye catching. It is hard to recognize a specific object, as Mann mainly reflects on the emotional discoveries that prompted by various decorative items.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_kathrine.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-36379\" title=\"rsz_kathrine\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_kathrine.jpg\" alt=\"\" width=\"376\" height=\"323\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_kathrine.jpg 654w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_kathrine-150x129.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_kathrine-250x215.jpg 250w\" sizes=\"auto, (max-width: 376px) 100vw, 376px\" \/><\/a>Katherine Tzu-Lan Mann, <em>Alloy 2<\/em>, 2016, acrylic and sumi ink on paper, 50.5 x 57.5 inches. Courtesy of Lonsdale Gallery<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_follow.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-36378\" title=\"rsz_follow\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_follow.jpg\" alt=\"\" width=\"566\" height=\"243\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_follow.jpg 629w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_follow-150x64.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/11\/rsz_follow-250x107.jpg 250w\" sizes=\"auto, (max-width: 566px) 100vw, 566px\" \/><\/a><\/p>\n<p style=\"text-align: center;\">Katherine Tzu-Lan Mann, <em>Fallow<\/em>, 2013, acrylic and sumi ink on paper, 60 x 139.5 inches. Courtesy of Lonsdale Gallery<\/p>\n<p>Visiting these shows at Lonsdale was an amazing and rich experience. Harruthoonyan takes the visitor to a world of dream, surrounded by the cosmos, relaxing the mind. Then upstairs Mann\u2019s exhibition greets the viewer with a world of ecstatic colors that energizes and activates the imagination. The two exhibitions greatly complement each other.<\/p>\n<p>Elizaveta Mironova<\/p>\n<p>*Exhibition information:\u00a0Osheen Harruthoonyan: <em>A Circle of Birds<\/em> \/ Katherine Tzu-Lan Mann: <em>Overabundance,\u00a0<\/em>October 15 &#8211; November 13, 2016, \u00a0Lonsdale Gallery, 410 Spadina Road, Toronto. Gallery hours: Wed \u2013 Sun, 11 \u2013 5 pm.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>by Elizaveta Mironova<\/strong><\/p>\n<p>Harruthoonyan\u2019s show takes us to a world of dream, surrounded by the cosmos, relaxing the mind. Then upstairs Mann\u2019s exhibition greets the viewer with a world of ecstatic colors that energizes and activates the imagination. The two exhibitions greatly complement each other.<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/v2.artoronto.ca\/?p=36371\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":36384,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[188,4,1],"tags":[],"class_list":["post-36371","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-elizaveta-mironova","category-features","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/36371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=36371"}],"version-history":[{"count":26,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/36371\/revisions"}],"predecessor-version":[{"id":36383,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/36371\/revisions\/36383"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/36384"}],"wp:attachment":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=36371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=36371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=36371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}