{"id":35175,"date":"2016-08-04T14:59:09","date_gmt":"2016-08-04T18:59:09","guid":{"rendered":"http:\/\/www.artoronto.ca\/?p=35175"},"modified":"2017-10-24T20:54:33","modified_gmt":"2017-10-25T00:54:33","slug":"aimia-ago-photography-prize-2016","status":"publish","type":"post","link":"https:\/\/v2.artoronto.ca\/?p=35175","title":{"rendered":"AIMIA \/ AGO Photography Prize Winner 2016"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2014\/08\/rsz_aimia_ago_pp_logo_white-on-black-640x320.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-24973\" title=\"rsz_aimia_ago_pp_logo_white-on-black-640x320\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2014\/08\/rsz_aimia_ago_pp_logo_white-on-black-640x320.jpg\" alt=\"\" width=\"408\" height=\"256\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/08\/rsz_aimia_ago_pp_logo_white-on-black-640x320.jpg 509w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/08\/rsz_aimia_ago_pp_logo_white-on-black-640x320-150x94.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/08\/rsz_aimia_ago_pp_logo_white-on-black-640x320-250x157.jpg 250w\" sizes=\"auto, (max-width: 408px) 100vw, 408px\" \/><\/a><\/p>\n<p>Four outstanding international artists have been shortlisted for the 2016\u00a0<strong>Aimia | AGO Photography Prize<\/strong>, Canada\u2019s most significant award for photography. Co-presented by Aimia, a Canadian-based global leader in data-driven marketing and loyalty analytics company, and the Art Gallery of Ontario (AGO), the Prize awards C$50,000 to one winner, who is chosen by public vote. The four finalists will present their work in an exhibition opening September 7, 2016 at the AGO in Toronto. Voting begins in person at the AGO upon the exhibition\u2019s opening and on the Prize\u2019s\u00a0<a href=\"https:\/\/www.aimiaagophotographyprize.com\/\">website<\/a>\u00a0on September 14, 2016.<\/p>\n<p><strong>The 2016 Winner is:\u00a0<\/strong><\/p>\n<p><strong>Ursula Schulz-Dornburg<\/strong>\u00a0was born in 1938 in Berlin and lives and works in Dusseldorf. Since the end of the 1960s, the house as a fundamental fact of human existence has been central to her work. She has travelled from the secret village of Kurchatov, Kazakhstan to the Hejaz railway in Saudi Arabia, from Kronstadt, Russia to Armenia and the border of Georgia and Azerbaijan to Iraq and Syria, in order to photograph the intertwining relationship between industrial and architectural structures, land and humans. Her work captures the historical and political importance of architecture and its destruction within the last century. Schulz-Dornburg\u2019s work is a critical exploration of the construction of power and its impermanence, and has recently been included in exhibitions at the Tate Modern in London and Giorgio Mastinu Gallery in Venice.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/08\/uschulz-dornburg-leadimage2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-35173\" title=\"uschulz-dornburg-leadimage2\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/08\/uschulz-dornburg-leadimage2.jpg\" alt=\"\" width=\"389\" height=\"317\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/08\/uschulz-dornburg-leadimage2.jpg 737w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/08\/uschulz-dornburg-leadimage2-150x122.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/08\/uschulz-dornburg-leadimage2-250x203.jpg 250w\" sizes=\"auto, (max-width: 389px) 100vw, 389px\" \/><\/a>Ursula Schulz-Dornburg<strong>,\u00a0<\/strong>Bus stops. Aemania. 2004. Erevan-Parakar, 2004, Gelatin silver print, 45 x 35 cm. Courtesy of the artist<\/p>\n<p><strong>The 2016 Finalists are:<\/strong><\/p>\n<ul>\n<li><strong>Talia Chetrit<\/strong>\u00a0(USA)<\/li>\n<li><strong>Jimmy Robert<\/strong>\u00a0(France)<\/li>\n<li><strong>Elizabeth Zvonarl<\/strong>\u00a0(Canada)<\/li>\n<\/ul>\n<p>Fourteen international nominators selected a long list of 23 artists. From that list, a jury of three experts named the four finalists, who each showed extraordinary potential. The jury was headed by Kitty Scott, the AGO\u2019s Carol &amp; Morton Rapp Curator of Modern and Contemporary Art, and included artist Stan Douglas and art scholar Russell Ferguson. The exhibition will be curated by Adelina Vlas, the AGO\u2019s Associate Curator of Contemporary Art.<\/p>\n<p>&#8220;The four nominated artists for this year\u2019s Aimia | AGO Photography Prize all work with photography in singular ways, each of which embodies a current mode in contemporary art,\u201d Vlas said. \u201cThe strength of their work and the diversity of their approaches will make for a unique exhibition inviting visitors to appreciate, reflect on, and participate in the visual culture of our time.&#8221;<\/p>\n<p><strong>Talia Chetrit<\/strong> was born in Washington, DC in 1982, and lives and works in New York. Chetrit\u2019s work focuses on the human body\u2014often her own\u2014as a starting point to examine how images are constructed to support different agendas and interpretations of reality. After beginning her practice with an exploration of the manipulative nature of photography, Chetrit is increasingly interested in the relationship the camera has with the subject matter it documents. Her work has recently been featured in group exhibitions at the Whitney Museum of American Art and Sculpture Center in New York, Palais de Tokyo in Paris, Studio Voltaire in London and LACMA in Los Angeles.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/08\/tchetrit-leadimage2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-35172\" title=\"tchetrit-leadimage2\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/08\/tchetrit-leadimage2.jpg\" alt=\"\" width=\"380\" height=\"292\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/08\/tchetrit-leadimage2.jpg 781w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/08\/tchetrit-leadimage2-150x115.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/08\/tchetrit-leadimage2-250x192.jpg 250w\" sizes=\"auto, (max-width: 380px) 100vw, 380px\" \/><\/a>Thalia Chetrit, Parents\/Glasses, 2014, Silver gelatin print, 43 x 56 cm. Courtesy of the artist<\/p>\n<p><strong>Jimmy Robert<\/strong> was born in Guadeloupe in 1975 and currently lives and works in Bucharest. His multidisciplinary practice encompasses performance, photography, film, video and drawing. Robert typically uses photography as a starting point for his works on paper, breaking down the divisions between two and three dimensions, as well as image and object. In some works Robert uses found photographs that he tears, collages, tapes and crumples before digitally scanning them and pinning them to the wall. In other works, Robert takes new photographs in his studio and crams them into wooden boxes or arranges them on the gallery floor. His sculptures similarly give the illusion of paper forms and often play with notions of value and durability. Integrated within his photographic and sculpture practice, performance remains a central part of Robert\u2019s work. His dance and performance works also oscillate between image and objecthood as well as the personal and the political.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/08\/jrobert-leadimage1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-35174\" title=\"jrobert-leadimage1\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/08\/jrobert-leadimage1.jpg\" alt=\"\" width=\"235\" height=\"340\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/08\/jrobert-leadimage1.jpg 414w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/08\/jrobert-leadimage1-103x150.jpg 103w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/08\/jrobert-leadimage1-172x250.jpg 172w\" sizes=\"auto, (max-width: 235px) 100vw, 235px\" \/><\/a>Jimmy Robert, Metallica, 2007, Painted aluminium sheets, 110 x 171 x 120 cm. Courtesy of the artist and Tanya Leighton, Berlin<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/08\/uschulz-dornburg-leadimage2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-35173\" title=\"uschulz-dornburg-leadimage2\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/08\/uschulz-dornburg-leadimage2.jpg\" alt=\"\" width=\"389\" height=\"317\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/08\/uschulz-dornburg-leadimage2.jpg 737w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/08\/uschulz-dornburg-leadimage2-150x122.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/08\/uschulz-dornburg-leadimage2-250x203.jpg 250w\" sizes=\"auto, (max-width: 389px) 100vw, 389px\" \/><\/a><\/p>\n<p><strong>Elizabeth Zvonar<\/strong> works in a variety of mediums, including collage, sculpture and photography. Her collages are created from a variety of sources, from fashion magazines to art history and science textbooks, they are then scanned and reproduced as glossy photographs while keeping the rips and cuts of the original collage. Zvonar\u2019s images explore the conflicting meanings that exist within Western media, playing with inherent hypocrisies in the media\u2019s depictions of women, consumerism and history. In her sculpture, she uses a variety of materials including porcelain, cement and bronze to cast body parts and pieces of clothing. These body parts are then assembled and re-contextualized with a similarly collage-like approach. The materials and forms suggest luxury objects but the strange juxtapositions are designed to unsettle the viewer and offer alternate possibilities of purpose and interpretation. She is represented by Daniel Faria Gallery in Toronto.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/08\/ezvonar-leadimage2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-35171\" title=\"ezvonar-leadimage2\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/08\/ezvonar-leadimage2.jpg\" alt=\"\" width=\"193\" height=\"336\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/08\/ezvonar-leadimage2.jpg 344w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/08\/ezvonar-leadimage2-86x150.jpg 86w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/08\/ezvonar-leadimage2-143x250.jpg 143w\" sizes=\"auto, (max-width: 193px) 100vw, 193px\" \/><\/a>Elizabeth Zvonar, Join the Resistance, 2015, collage print on photo-rag mounted on dibond, 71 x 127 cm. Courtesy of the artist<\/p>\n<p>The Aimia | AGO Photography Prize recognizes and develops the best in Canadian and international contemporary photography and helps to foster the next generation of artists. The Prize has a total annual prize value of C$90,000, and is composed of an annual exhibition at the Art Gallery of Ontario, an online exhibition at AimiaAGOPhotographyPrize.com, a range of public programming and a national scholarship program. It includes awards of $50,000 to the winner, $5,000 to each of the three runners-up, $7,000 to each of three scholarship winners and $1,000 to each of their respective schools. This year, the Prize also expanded to include an award of $1,000 for honorable mention in the scholarship category.<\/p>\n<p>For more information please check\u00a0<a href=\"http:\/\/link.ago.net\/c\/443\/6b1ad5d93b8e5ba7a60d3c98fba290da3325bc89a811c9b37639414be1a74604\" target=\"_blank\" rel=\"noopener\">2016 Aimia | AGO Photography Prize<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>The winner of the $50,000 prize will be chosen by public vote<\/strong><\/p>\n<p><strong>The 2016 Winner is: Ursula Schulz-Dornburg<\/strong><\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/v2.artoronto.ca\/?p=35175\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":36719,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[69],"tags":[],"class_list":["post-35175","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-archive"],"_links":{"self":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/35175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=35175"}],"version-history":[{"count":15,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/35175\/revisions"}],"predecessor-version":[{"id":39279,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/35175\/revisions\/39279"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/36719"}],"wp:attachment":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=35175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=35175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=35175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}