{"id":33307,"date":"2016-04-10T14:56:54","date_gmt":"2016-04-10T18:56:54","guid":{"rendered":"http:\/\/www.artoronto.ca\/?p=33307"},"modified":"2016-04-23T14:34:18","modified_gmt":"2016-04-23T18:34:18","slug":"sarah-carlson-rewilding-at-graven-feather","status":"publish","type":"post","link":"https:\/\/v2.artoronto.ca\/?p=33307","title":{"rendered":"Sarah Carlson: ReWilding at Graven Feather"},"content":{"rendered":"<p><em>ReWilding<\/em>, an exhibition of large-scale paintings by Sarah Carlson at Graven Feather, encourages us through personal mythologies to re-imagine and re-visit our wild roots. Sarah Carlson\u2019s nostalgia-inducing topographical scenes of Canadian landscapes reposition our figurative human form to forge a deeper, tenderer connection with nature. Some of the landscapes were captured en-plein-air during her ten-day residency in Algonquin Park. Given this experience, it is not difficult to discern a familiar romanticization of nature not unlike Carlson\u2019s Canadian outdoor-painter predecessors. The painting &#8220;Save Wolf Lake&#8221; (2016) of a hiker overlooking a lake is of particular importance as the site of Wolf Lake is in danger of excavation, and the title operates as a call for action. The work on cutout reclaimed wood board presents a moment of serenity at risk of being lost.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/04\/rsz_sarah_carlson_portrait.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-33305\" title=\"rsz_sarah_carlson_portrait\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/04\/rsz_sarah_carlson_portrait.jpg\" alt=\"\" width=\"383\" height=\"313\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/04\/rsz_sarah_carlson_portrait.jpg 1024w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/04\/rsz_sarah_carlson_portrait-150x122.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/04\/rsz_sarah_carlson_portrait-250x203.jpg 250w\" sizes=\"auto, (max-width: 383px) 100vw, 383px\" \/><\/a>Sarah Carlson in front of\u00a0Save Wolf Lake, 48 x 48\u201d, acrylic on wood (left) and\u00a0Biologique, 60 x 48\u201d, acrylic on birch (right). Photo: Alice Pelot<\/p>\n<p>Carlson\u2019s paintings are not only representations of her direct experience in wilderness; she also captures a Narnian environment for the intimate and spiritual co-habitation of humans and animals. The five large acrylic paintings glow with a vibrant orange and pink base layer like the highlighter pink accents in the paintings of her contemporary Kim Dorland. It is this use of synthetic colours, combined with topographical imagery that reveals Carlson\u2019s personality and emphasizes in her practice a balance between self and nature. Among all the colourful, dynamic, wispy brushstrokes, the multiple layers of landscape are still discernible, each has its own bright tone and successfully demonstrates a skillful landscape painting technique. In addition to the paintings, Carlson has chosen to exhibit a sculptural wall-hanging work titled &#8220;Connected&#8221;(2016). It\u00a0\u00a0is composed of a think slice of a found, hollow tree trunk including rings, insect markings and fungus. Inside this wooden ring are small quartz strung on wire and stretched across like a dream catcher. Behind the wood, reflecting off the wall, is a colourful diode light perfectly complimenting Carlson\u2019s painting style in which synthetic colour highlights and vaguely outlines natural forms.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/04\/rsz_sarah_carlson_last_child_in_the_woods.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-33304\" title=\"rsz_sarah_carlson_last_child_in_the_woods\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/04\/rsz_sarah_carlson_last_child_in_the_woods.jpg\" alt=\"\" width=\"322\" height=\"332\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/04\/rsz_sarah_carlson_last_child_in_the_woods.jpg 745w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/04\/rsz_sarah_carlson_last_child_in_the_woods-145x150.jpg 145w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/04\/rsz_sarah_carlson_last_child_in_the_woods-242x250.jpg 242w\" sizes=\"auto, (max-width: 322px) 100vw, 322px\" \/><\/a>Sarah Carlson, Last Child in the Woods, 48 x 48\u201d, oil and acrylic on birch. Photo: Alice Pelot<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/04\/ReWilding.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-33306\" title=\"ReWilding\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/04\/ReWilding.jpeg\" alt=\"\" width=\"440\" height=\"294\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/04\/ReWilding.jpeg 550w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/04\/ReWilding-150x100.jpeg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/04\/ReWilding-250x166.jpeg 250w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><\/a>Sarah Carlson, Rewilding, 48 x 72, acrylic on canvas. Image courtesy of Graven Feather<\/p>\n<p>Carlson describes the scenes as \u201cenvironments for both human and non-human animals.\u201d She does not separate \u2018human\u2019 as the civilized from \u2018animals\u2019 as the barbaric. Instead, the wild landscape levels the field of existence and vulnerability, evidenced in her paintings by the pairing of figure with animal such as a wolf, deer and bear (bringing to mind the tradition of spirit animals). In Carlson\u2019s self-portrait titled &#8220;Biologique&#8221;<em> <\/em>(2016), we get a sense for her personal connection to nature and wilderness. A bird nests in her hair which is portrayed as tree roots, her face is metaphorically painted in the clouds, her ear echoes the shape of mushrooms, her ribs are composed of tree branches and an antler, she is fully integrated with the landscape. In this version of nature, so thoroughly blurring the lines between human and non-human, Carlson highlights how we (humans) seem more vulnerable to a fate linear to natures.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/04\/rsz_rewilding_exhibition_view.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-33303\" title=\"rsz_rewilding_exhibition_view\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2016\/04\/rsz_rewilding_exhibition_view.jpg\" alt=\"\" width=\"401\" height=\"323\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/04\/rsz_rewilding_exhibition_view.jpg 1024w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/04\/rsz_rewilding_exhibition_view-150x120.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2016\/04\/rsz_rewilding_exhibition_view-250x200.jpg 250w\" sizes=\"auto, (max-width: 401px) 100vw, 401px\" \/><\/a>Installation view with Sarah Carlson&#8217;s paintings (from left to right:)\u00a0Corridor, 48 x 72\u201d, acrylic on canvas,\u00a0Save Wolf Lake, 48 x 48\u201d, acrylic on wood and\u00a0Biologique, 60 x 48\u201d, acrylic on birch. Photo: Alice Pelot<\/p>\n<p>Alice Pelot<\/p>\n<p>*Exhibition information:\u00a0April 6 \u2013 May 1, 2016,\u00a0Graven Feather, 906 Queen Street West. Gallery hours: Thur \u2013 Sat, 12 \u2013 7 p.m.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>by Alice Pelot<\/strong><\/p>\n<p>Sarah Carlson&#8217;s large-scale paintings at Graven Feather, encourages us through personal mythologies to re-imagine and re-visit our wild roots. <\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/v2.artoronto.ca\/?p=33307\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":33314,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[177,4,1],"tags":[],"class_list":["post-33307","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alice-pelot","category-features","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/33307","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=33307"}],"version-history":[{"count":8,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/33307\/revisions"}],"predecessor-version":[{"id":33310,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/33307\/revisions\/33310"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/33314"}],"wp:attachment":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=33307"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=33307"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=33307"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}