{"id":31273,"date":"2015-11-25T11:27:48","date_gmt":"2015-11-25T16:27:48","guid":{"rendered":"http:\/\/www.artoronto.ca\/?p=31273"},"modified":"2015-12-26T19:26:03","modified_gmt":"2015-12-27T00:26:03","slug":"stone-it","status":"publish","type":"post","link":"https:\/\/v2.artoronto.ca\/?p=31273","title":{"rendered":"STONE IT!"},"content":{"rendered":"<p>On November 5th the SSC opened its annual stone show featuring a wide spectrum of works by eleven artists. Their approach to stone is as diverse as the stones of their choice: marbles from around the world, as well as limestones from Ontario, Indiana, and China . A &#8220;man-made&#8221; cast-stone installation of many elements forming a pictorial narration by Andy Berg, as well as a very precious abstract black Belgian marble from a quarry that no longer exists by Yeon-Tak Chang &#8211; elicits provocative dialogue.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/rsz_stoneopening12.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-31283\" title=\"rsz_stoneopening12\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/rsz_stoneopening12.jpg\" alt=\"\" width=\"415\" height=\"245\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/rsz_stoneopening12.jpg 1280w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/rsz_stoneopening12-150x88.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/rsz_stoneopening12-250x147.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/rsz_stoneopening12-1024x604.jpg 1024w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><\/a>Cathy Knoespel from Artcast Inc.(left) and guests. Photo:\u00a0Peter\u00a0<span style=\"color: #000000; font-family: arial, helvetica, sans-serif;\">Wir\u00fcn<\/span><\/p>\n<p>Through the opening reception four of the exhibiting artists talked about their work.<\/p>\n<p>Andy Berg said that her installation &#8220;Mappined Terraces&#8221; was an interactive project she did in a workshop with audience participants at the Kingston artist-run centre \u2013 Modern Fuel. The work is meant to evolve holistically and in the workshop while she was working on it \u00a0&#8211; the participants rolled up their sleeves and worked intuitively together with her. As such &#8211; continuing this collaborative method &#8211; the installation of cast-stone elements was assembled by the gallery installation team.<span style=\"text-align: center;\">\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andy-Berg.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-31264\" title=\"Andy Berg\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andy-Berg.jpg\" alt=\"\" width=\"375\" height=\"262\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andy-Berg.jpg 782w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andy-Berg-150x104.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andy-Berg-250x174.jpg 250w\" sizes=\"auto, (max-width: 375px) 100vw, 375px\" \/><\/a>Artist, Andy Berg.\u00a0Photo:\u00a0Peter\u00a0Wir\u00fcn<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andy-Berg-Mappined-Terraces.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-31263\" title=\"Andy Berg, Mappined Terraces\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andy-Berg-Mappined-Terraces.jpg\" alt=\"\" width=\"275\" height=\"344\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andy-Berg-Mappined-Terraces.jpg 819w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andy-Berg-Mappined-Terraces-119x150.jpg 119w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andy-Berg-Mappined-Terraces-199x250.jpg 199w\" sizes=\"auto, (max-width: 275px) 100vw, 275px\" \/><\/a>Andy Berg, Mappined Terraces. Photo: J.M. Young<\/p>\n<p>Elizabeth Merei&#8217;s sculpture, &#8220;Victoria&#8221; was shaped without using models or maquettes, as Merei carved it directly into the stone (Italian marble). Her sculptures exude a sensuality that is as prevalent in an abstract form as in a classical figure. Her torsos convey tremendous vitality and movement. Her work is recognizable with its tension between smooth and rough surfaces, highlighting the imperfections and sudden temper of the natural stone.<span style=\"text-align: center;\">\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Elizabeth-Merei.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-31267\" title=\"Elizabeth Merei\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Elizabeth-Merei.jpg\" alt=\"\" width=\"399\" height=\"273\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Elizabeth-Merei.jpg 567w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Elizabeth-Merei-150x102.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Elizabeth-Merei-250x170.jpg 250w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/a>Artist, Elizabeth Merei.\u00a0Photo:\u00a0Peter\u00a0Wir\u00fcn<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Elizabeth-Merei-Victoria.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-31266\" title=\"Elizabeth Merei, Victoria\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Elizabeth-Merei-Victoria.jpg\" alt=\"\" width=\"186\" height=\"362\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Elizabeth-Merei-Victoria.jpg 427w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Elizabeth-Merei-Victoria-128x250.jpg 128w\" sizes=\"auto, (max-width: 186px) 100vw, 186px\" \/><\/a>Elizabeth Merei, Victoria.\u00a0Photo:\u00a0Peter\u00a0Wir\u00fcn<\/p>\n<p>Andrew Pawlowski stated that he incorporates found materials (steel elements) and stone (marble) assemblages with medieval flair. His symbolic carvings of steel and stone reflect variants of human attitudes towards self-deception. Mental visions imbued along the mysterious road between life and death sway the viewer away from the main tract &#8211; unmasking human weaknesses. The symbolic assemblages are thought-provoking evoking poignant dark humour.<span style=\"text-align: center;\">\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andrew-Pawlowski.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-31257\" title=\"Andrew Pawlowski\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andrew-Pawlowski.jpg\" alt=\"\" width=\"385\" height=\"293\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andrew-Pawlowski.jpg 736w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andrew-Pawlowski-150x113.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andrew-Pawlowski-250x189.jpg 250w\" sizes=\"auto, (max-width: 385px) 100vw, 385px\" \/><\/a>Artist, Andrew Pawlowski.\u00a0Photo:\u00a0Peter\u00a0Wir\u00fcn<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andrew-Pawlowski-Skoron.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-31262\" title=\"Andrew Pawlowski, Skoron\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andrew-Pawlowski-Skoron.jpg\" alt=\"\" width=\"307\" height=\"336\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andrew-Pawlowski-Skoron.jpg 665w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andrew-Pawlowski-Skoron-137x150.jpg 137w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Andrew-Pawlowski-Skoron-228x250.jpg 228w\" sizes=\"auto, (max-width: 307px) 100vw, 307px\" \/><\/a>Andrew Pawlowski, Skoron.\u00a0Photo:\u00a0Peter\u00a0Wir\u00fcn<\/p>\n<p>Dina Torrans pinpointed that the title of her work Ens\u014d, (\u5186\u76f8) is a Japanese word meaning \u201ccircle\u201d and a concept strongly associated with Zen. Most broadly, Ens\u014d represents the vast qualities of the universe, conjuring up its grandness, limitless power and natural phenomena. It is known as the circle of enlightenment. Its symbolism refers to the beginning and end of all things, the circle of life, and the connectedness of existences.\u00a0This circle is incomplete, allowing for movement and development as well as the perfection of all things.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Dina-Torrans.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-31258\" title=\"Dina Torrans\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Dina-Torrans.jpg\" alt=\"\" width=\"397\" height=\"292\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Dina-Torrans.jpg 751w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Dina-Torrans-150x110.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Dina-Torrans-250x183.jpg 250w\" sizes=\"auto, (max-width: 397px) 100vw, 397px\" \/><\/a>Artist, Dina Torres.Photo:\u00a0Peter\u00a0Wir\u00fcn<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Dina-Torrens-Enso.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-31265\" title=\"Dina Torrens, Enso\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Dina-Torrens-Enso.jpg\" alt=\"\" width=\"300\" height=\"364\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Dina-Torrens-Enso.jpg 841w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Dina-Torrens-Enso-123x150.jpg 123w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Dina-Torrens-Enso-205x250.jpg 205w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Dina Torres,\u00a0Ens\u014d.\u00a0Photo:\u00a0Peter\u00a0Wir\u00fcn<\/p>\n<p>It was a lively opening reception when the artists and art lovers merged, talked about sculptures and exchanged their ideas and reflections.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Stone-it-opening-reception-from-left-to-right-J.M.-Young-Richard-McNeill-Marcus-Knoespel.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-31268\" title=\"Stone it, opening reception from left to right J.M. Young, Richard McNeill, Marcus Knoespel\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/11\/Stone-it-opening-reception-from-left-to-right-J.M.-Young-Richard-McNeill-Marcus-Knoespel.jpg\" alt=\"\" width=\"440\" height=\"311\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Stone-it-opening-reception-from-left-to-right-J.M.-Young-Richard-McNeill-Marcus-Knoespel.jpg 1020w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Stone-it-opening-reception-from-left-to-right-J.M.-Young-Richard-McNeill-Marcus-Knoespel-150x106.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/11\/Stone-it-opening-reception-from-left-to-right-J.M.-Young-Richard-McNeill-Marcus-Knoespel-250x177.jpg 250w\" sizes=\"auto, (max-width: 440px) 100vw, 440px\" \/><\/a>From left to right: J.M. Young, Richard McNeill, Marcus Knoespel from Artcast Inc.\u00a0Photo:\u00a0Peter\u00a0Wir\u00fcn<\/p>\n<p style=\"text-align: left;\">*Exhibition information: November 5 &#8211; 27, 2015,\u00a0Canadian Sculpture Centre, 500 Church Street. Gallery hours: Tue \u2013 Fri: 12 \u2013 6, Sat: 11 \u2013 4 p.m.<\/p>\n<p style=\"text-align: left;\">\n","protected":false},"excerpt":{"rendered":"<p><strong>Canadian Sculpture Centre<\/strong><\/p>\n<p> SSC&#8217;s annual stone show features a wide spectrum of works by eleven artists. Their approach to stone is as diverse as the stones of their choice<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/v2.artoronto.ca\/?p=31273\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":31259,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,1],"tags":[],"class_list":["post-31273","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/31273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=31273"}],"version-history":[{"count":13,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/31273\/revisions"}],"predecessor-version":[{"id":31285,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/31273\/revisions\/31285"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/31259"}],"wp:attachment":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=31273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=31273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=31273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}