{"id":27784,"date":"2015-03-24T21:11:38","date_gmt":"2015-03-25T01:11:38","guid":{"rendered":"http:\/\/www.artoronto.ca\/?p=27784"},"modified":"2015-04-06T11:02:45","modified_gmt":"2015-04-06T15:02:45","slug":"eyes-of-march-at-canadian-sculpture-centre","status":"publish","type":"post","link":"https:\/\/v2.artoronto.ca\/?p=27784","title":{"rendered":"Eyes of March at Canadian Sculpture Centre"},"content":{"rendered":"<p>I met Judi Michelle Young, president of the Sculptors Society of Canada, at their 500 Church Street gallery on a Tuesday afternoon. I was interested in talking to her about the society and the Canadian Sculpture Centre\u2019s current exhibition of contemporary portraiture, <em>Eyes of March<\/em>. What I got from our conversation was that and much more. Judi was interested in sharing highlights of the neighborhood\u2019s architectural history, her experience of the evolution of our city\u2019s fashion and art scenes and we discovered so many\u00a0things in common.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0958.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-27779\" title=\"rsz_img_0958\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0958.jpg\" alt=\"\" width=\"291\" height=\"288\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0958.jpg 1280w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0958-150x148.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0958-250x247.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0958-1024x1015.jpg 1024w\" sizes=\"auto, (max-width: 291px) 100vw, 291px\" \/><\/a>Al Green, Squatting Woman, bronze<\/p>\n<p>The Sculptors Society of Canada is entering its 88th year. The fantastic thing is the inclusivity of the society. Sculptors need not work in a prescribed medium, approach, or subject matter to be considered for membership or being part of group exhibitions like this one. They have not been in their Church Street location for long, perhaps 4 years. It is a lovely space, albeit tiny for the society\u2019s big ambitions. Natural light enters the space through floor to ceiling street-view windows. The gallery\u2019s design is\u00a0maximizes the modest room; there are two floor levels in the open gallery space.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0955.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-27778\" title=\"rsz_img_0955\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0955.jpg\" alt=\"\" width=\"294\" height=\"294\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0955.jpg 1022w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0955-150x150.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0955-250x250.jpg 250w\" sizes=\"auto, (max-width: 294px) 100vw, 294px\" \/><\/a>Elaine Jaques, &#8220;V&#8221;, aluminous cement<\/p>\n<p>Once a year, the Canadian Sculpture Centre holds a themed exhibition featuring portraiture and figuration. This year\u2019s has been coined, <em>Eyes of March,<\/em> a theme\u00a0that\u00a0is\u00a0interesting and provoking, yet inclusive of all members. Members submitted two to three pieces each, depending on size and\u00a0all mediums\u00a0were \u00a0accepted, from traditional stone to whatever else you can think of. <em>Eyes of March<\/em> features 20 works in wood, stone, bronze, clay, aluminous cement, gypsum cement, and terra cotta by 10 sculptors.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0960.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-27789\" title=\"rsz_img_0960\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0960.jpg\" alt=\"\" width=\"137\" height=\"294\" \/><\/a>Camie Geary-Martin, Fractured, bronze<\/p>\n<p>Judi tours me around the gallery, offering tidbits of information on the artists and their works as we go. Al Green, who generously sponsors the Church Street location, has three small figurative bronzes in the show. Master carver, Gordon Becker works heavily in the film industry carving props in urethane foam, Judi tells me. The soft, living fleshiness that he evokes in his graceful walnut dancer balanced on her steel and aluminum stand amazes me. At the risk of sounding silly, her clavicle really takes my breath away. I decide that it is my favorite piece.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_09631.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-27790\" title=\"rsz_img_0963\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_09631.jpg\" alt=\"\" width=\"147\" height=\"331\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_09631.jpg 453w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_09631-66x150.jpg 66w\" sizes=\"auto, (max-width: 147px) 100vw, 147px\" \/><\/a>Gordon Becker, City Dancer, black walnut, steel, aluminum<\/p>\n<p>Camie Geary-Martin is known for working in bronze and the two fascinating figurative pieces in <em>Eyes of March<\/em> are testaments to why. Her work is downright emotive. Elaine Jaques is showing two sculptures in aluminous cement, one fragmented bust captures my attention and holds it. I am interested in the juxtaposition of raw and polished alabaster in Elizabeth Merei\u2019s pieces. Her Mexican alabaster is nearly translucent and truly glows. In her work, I am reminded why the vibrancy and variance of natural stone never ceases to amaze me. Peter Shoebridge presents two ceramic heads created from life models. One appears to be polished while the other is left rough. They are stunning, with their enthralling evasive gazes and stylised short hair.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0966.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-27781\" title=\"rsz_img_0966\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0966.jpg\" alt=\"\" width=\"249\" height=\"331\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0966.jpg 768w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0966-112x150.jpg 112w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0966-187x250.jpg 187w\" sizes=\"auto, (max-width: 249px) 100vw, 249px\" \/><\/a>Elizabeth Merei, Penelope, alabaster<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0971.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-27783\" title=\"rsz_img_0971\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0971.jpg\" alt=\"\" width=\"268\" height=\"298\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0971.jpg 920w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0971-134x150.jpg 134w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2015\/03\/rsz_img_0971-224x250.jpg 224w\" sizes=\"auto, (max-width: 268px) 100vw, 268px\" \/><\/a>Peter Shoebridge, Andrea, ceramic<\/p>\n<p>I leave the Canadian Sculpture Centre thoroughly impressed by the society and the array of works that their members have created. There is so much talent, emotion, variation and variety on show in <em>Eyes of March<\/em>.<\/p>\n<p>Text and photo: Emily Kovacs<\/p>\n<p>*Exhibition information: March 12 &#8211; April 2, 2015, Canadian Sculpture Centre, 500 Church Street. Gallery hours: Tue \u2013 Fri: 12 \u2013 6, Sat: 11 \u2013 4 p.m.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>by Emily Kovacs<\/strong><\/p>\n<p>I leave the Canadian Sculpture Centre thoroughly impressed by the society and the array of works that their members have created.  There is so much talent, emotion, variation and variety on show in <em>Eyes of March<\/em>.<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/v2.artoronto.ca\/?p=27784\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":27803,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[163,4,1],"tags":[],"class_list":["post-27784","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-emily-kovacs","category-features","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/27784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=27784"}],"version-history":[{"count":22,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/27784\/revisions"}],"predecessor-version":[{"id":28015,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/27784\/revisions\/28015"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/27803"}],"wp:attachment":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=27784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=27784"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=27784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}