{"id":22782,"date":"2014-02-12T15:22:48","date_gmt":"2014-02-12T20:22:48","guid":{"rendered":"http:\/\/www.artoronto.ca\/?p=22782"},"modified":"2014-03-05T20:29:41","modified_gmt":"2014-03-06T01:29:41","slug":"metamorphosis","status":"publish","type":"post","link":"https:\/\/v2.artoronto.ca\/?p=22782","title":{"rendered":"Metamorphosis"},"content":{"rendered":"<p style=\"text-align: center;\"><strong><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_meta5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-22771\" title=\"rsz_meta5\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_meta5.jpg\" alt=\"\" width=\"369\" height=\"247\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_meta5.jpg 1280w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_meta5-150x100.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_meta5-250x167.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_meta5-1024x686.jpg 1024w\" sizes=\"auto, (max-width: 369px) 100vw, 369px\" \/><\/a><\/strong>Andrew Pawlowski, <em>The Rider of the Apocalypse 2 (Pest),<\/em> 2012. Mixed media, 22 x 40 x 2 inches<\/p>\n<p><strong>Group show by\u00a0Andrew Pawlowski, David Cumming and Peter Alexander Por <\/strong><\/p>\n<p>Upon walking in, the atmosphere of whimsy, lightheartedness, and a community of open dialogue, rich with fresh ideas, was undeniable. \u00a0All three artists have mastered the challenge of transforming the mundane into the magnificent and the banal into the beautiful.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2014\/02\/Peter-A-PDouble-Extra-Virgin-reduced.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-22769\" title=\"Peter A PDouble Extra Virgin- reduced\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2014\/02\/Peter-A-PDouble-Extra-Virgin-reduced.jpeg\" alt=\"\" width=\"185\" height=\"276\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/Peter-A-PDouble-Extra-Virgin-reduced.jpeg 427w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/Peter-A-PDouble-Extra-Virgin-reduced-100x150.jpeg 100w\" sizes=\"auto, (max-width: 185px) 100vw, 185px\" \/><\/a>Peter Alexander Por, <em>Doubleextra Virgin<\/em>, 2007. Mixed media, 10 x 10 x 6 inches<\/p>\n<p>By breathing new life into these found objects, the ready-mades make for what, initially, appears as a simple object, but then draws the viewer into the process and creation of the piece; however, the artists do not offer their audience with clear answers to their methods or intentions. As a result, they leave it to their audience to interpret meaning for themselves through the title, and the work itself.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-22773\" title=\"rsz_metamorphosis_2\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_2.jpg\" alt=\"\" width=\"369\" height=\"231\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_2.jpg 1280w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_2-150x94.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_2-250x157.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_2-1024x643.jpg 1024w\" sizes=\"auto, (max-width: 369px) 100vw, 369px\" \/><\/a>David Cumming<em>, 3-D- Magritte<\/em>, 2010. Wood (walnut), Mixed media 9 \u00bd x 6 \u00bd x 9 inches<\/p>\n<p>Peter Alexander Por and David Cumming, having been inspired by literary and art historical references (such as: Duchamp, J.M. Whistler\u2019s <em>Arrangement in Grey and Black No.1,<strong> <\/strong><\/em>(1871), Rene Magritte\u2019s <em>L\u2019Anniversaire<\/em>, 1959, Dickens\u2019 Miss Havisham from <em>Great Expectations, <\/em>etc.), the viewer is left to digest a personal, and sculptural, interpretation that is imbued with playfulness.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-22774\" title=\"rsz_metamorphosis_3\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_3.jpg\" alt=\"\" width=\"369\" height=\"277\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_3.jpg 1280w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_3-150x112.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_3-250x187.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_3-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 369px) 100vw, 369px\" \/><\/a>David Cumming, <em>Miss Haversham<\/em>, 2010. Plywood, Mixed media, 15 x 12 x 8 inches<\/p>\n<p>The spirit of these artists, like former Dadaists, resides in their intuitive experimentation with everyday objects. By prizing intuitive practice, without fear of judgement (ex: to put Snoopy inside a marble pyramid, or to use and play with Barbie to produce a fresh view of a literary character), they produce new narratives by combining two (or more) unlikely\/improbable objects.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_6.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-22776\" title=\"rsz_metamorphosis_6\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_6.jpg\" alt=\"\" width=\"215\" height=\"265\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_6.jpg 831w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_6-121x150.jpg 121w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_6-202x250.jpg 202w\" sizes=\"auto, (max-width: 215px) 100vw, 215px\" \/><\/a>Andrew Pawlowski, <em>The Trompeter<\/em>, 2012. Bronze, 25 x 7 x 6 inches<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_9.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-22779\" title=\"rsz_metamorphosis_9\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_9.jpg\" alt=\"\" width=\"415\" height=\"273\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_9.jpg 1280w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_9-150x98.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_9-250x164.jpg 250w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2014\/02\/rsz_metamorphosis_9-1024x673.jpg 1024w\" sizes=\"auto, (max-width: 415px) 100vw, 415px\" \/><\/a>Peter Alexander Por, <em>Garden of Earthly Delights<\/em>, 2013.\u00a0 Steel, brass, and aluminum, 8.5x4x9.5 inches<\/p>\n<p style=\"text-align: left;\">Though we are left to contemplate and engage in intellectual dialogue in regards to the metamorphosis of the resurrected found objects, what they imply about their historical references, or the everyday, these works also inspire cheer by making their viewer smile.<\/p>\n<p style=\"text-align: left;\">Text and photo: Leanne Simaan<\/p>\n<p>*Exhibition dates: February 8 &#8211; March 8, 2014\u00a0,\u00a0 Artics\u00f3k Gallery, 1697 St Clair Avenue West. Gallery hours: Wed &#8211; Sat 12 &#8211; 6 p.m.<br \/>\n*Featured image: David Cumming\u2019s <em>Evolution<\/em> , 2013. Purple Wonderstone, Mixed media, 45 x 16 x 10 inches<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>by Leanne Simaan<\/strong><\/p>\n<p>Though we are left to contemplate and engage in intellectual dialogue in regards to the metamorphosis of the resurrected found objects, these works also inspire cheer by making their viewer smile.<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/v2.artoronto.ca\/?p=22782\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":22772,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,131],"tags":[],"class_list":["post-22782","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-leanne-simaan"],"_links":{"self":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/22782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22782"}],"version-history":[{"count":8,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/22782\/revisions"}],"predecessor-version":[{"id":22784,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/22782\/revisions\/22784"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/22772"}],"wp:attachment":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22782"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22782"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}