{"id":18895,"date":"2013-05-04T16:16:09","date_gmt":"2013-05-04T20:16:09","guid":{"rendered":"http:\/\/www.artoronto.ca\/?p=18895"},"modified":"2013-05-18T09:29:45","modified_gmt":"2013-05-18T13:29:45","slug":"andrew-wright-penumbra-janieta-eyre-constructed-mythologies","status":"publish","type":"post","link":"https:\/\/v2.artoronto.ca\/?p=18895","title":{"rendered":"Andrew Wright & Janieta Eyre \/ Opening Reception"},"content":{"rendered":"

Andrew Wright: Penumbra \/ Janieta Eyre: Constructed Mythologies<\/span><\/strong>
\nApril 30 \u2013 June 29, 2013<\/span>
\nOpening Reception: May 3, 6 \u2013 8:30 p.m.<\/strong><\/span>
\nUniversity of Toronto Art Centre<\/strong><\/span>
\n15 King\u2019s College Circle<\/span><\/p>\n

This year, CONTACT\u2019s Festival theme, Field of Vision, intends to explore the photographic medium as a way of seeing. Andrew<\/em> Wright<\/em>\u2019s Penumbra<\/em>, currently on display the University Toronto Art Center (UTAC) is a quintessential display of innovative approaches towards using photography as a means to broaden the horizons of visual perception.<\/span><\/p>\n

\"\"<\/a><\/span>Bonnie Rubenstein, artistic director of Scotiabank Contact Photography Festival with artist Andrew Wright and University of Toronto Professor Mark A Cheetham<\/span><\/p>\n

Wright<\/em> believes that this exhibition reflects his \u201cinterest in what makes a photograph and what makes a photographic experience.\u201d His investigation of the penumbra explores limbo-like spaces between regions of complete shadow and complete illumination. By using scale, darkness and skewed angles, Wright evokes a sense of disorientation that causes ambiguity and mystery about the space depicted.<\/span><\/p>\n

\"\"<\/a><\/span>Andrew Wright with his two children in front of Tree Corrections, 2012 <\/em><\/span><\/p>\n

In the exhibition Q&A, Wright<\/em> claimed that one\u2019s sense of time and orientation becomes mixed up when travelling. In the north, the distinctions between night and day blend into each other and what we rely on to locate ourselves in space becomes subject to question. Penumbra<\/em> captures this phenomenon by situating the viewer on the fringes of both worlds.<\/span><\/p>\n

\"\"<\/a><\/span>Visual Studies Graduate Vlad Lunin gazes into Coronae, 2011 <\/em>(left) <\/em><\/span>University of Toronto Professor Mark A Cheetham admires Boulder #3 (Baffin Island),<\/em> 2011 (right)<\/span><\/p>\n

In this mid-career survey of works from 2001 \u2013 13, Wright uses a range of photographic technologies from iPhone filters to camera lucidia, altogether offering a diverse exploration of mystically disorientating visuals. The combination of methods present in the exhibition granted a new means of interpreting our surroundings. <\/span>For example, in Prairie Skies X<\/em> (2004), rather than staring up at the sky as so many visionaries before him have done, Wright<\/em> makes the sky come to him with a pinhole camera.<\/span><\/p>\n

\"\"<\/a><\/span>Bonnie Rubenstein alongside CONTACT programme manager Tara Smith<\/span><\/p>\n

Bonnie Rubenstein<\/em> has stated that Penumbra<\/em> has been one of the most intense curatorial projects for her during CONTACT. In the past, she has seen several exhibitions of Wright<\/em>\u2019s work in Toronto but they had always been strong centralized around one project. Her desire to see how all his work from the past and present resonated together compelled her to arrange this survey exhibition.<\/span><\/p>\n

\"\"<\/a><\/span>Artist Janieta Eyre alongside her piece The Day My Eye Laid An Egg, from the Motherhood series, <\/em>2002<\/span><\/p>\n

Alongside Penumbra<\/em>, UTAC is also exhibiting Janieta Eyre\u2019s Constructed Mythologies. Eyre<\/em> is an internationally acclaimed photographer known for her constructed images that contrast and challenge traditional notions of femininity. This exhibition examines a timeline of Eyre<\/em>\u2019s work in its capacity to confront and re-examine social constructions.<\/span><\/p>\n

\"\"<\/a><\/span>Installation view of Mute Book #7, <\/em>2010<\/span><\/p>\n

Eyre\u2019s quirky double self-portraits offer alternative myths that stem from her own encounters to a broader social critiques Often, her surreal portraits portray herself as a schizophrenic twin that is simultaneously amusing and grotesque, rejecting singularity.<\/span><\/p>\n

\"\"<\/a><\/span><\/p>\n

Text and photo: Shellie Zhang<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

May 3, 6 \u2013 8:30 p.m.<\/p>\n

University of Toronto Art Centre<\/strong><\/p>\n

This year, CONTACT\u2019s Festival theme, Field of Vision, intends to explore the photographic medium as a way of seeing. Andrew Wright\u2019s Penumbra and Janieta Eyre: Constructed Mythologies show two different possible approach<\/p>\n

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