{"id":18072,"date":"2013-03-25T12:09:03","date_gmt":"2013-03-25T16:09:03","guid":{"rendered":"http:\/\/www.artoronto.ca\/?p=18072"},"modified":"2013-04-25T11:55:50","modified_gmt":"2013-04-25T15:55:50","slug":"the-geography-of-dreams-at-yumart","status":"publish","type":"post","link":"https:\/\/v2.artoronto.ca\/?p=18072","title":{"rendered":"Y.M. Whelan &#8220;The Geography of Dreams&#8221; at Yumart"},"content":{"rendered":"<p><strong>Y.M. Whelan: &#8220;The Geography of Dreams&#8221;<\/strong><br \/>\nMarch 20 &#8211; April 13, 2013<br \/>\n<strong>Yumart<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2013\/03\/Yvonne-Whelan3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-18062\" title=\"Yvonne Whelan3\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2013\/03\/Yvonne-Whelan3.jpg\" alt=\"\" width=\"384\" height=\"256\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2013\/03\/Yvonne-Whelan3.jpg 640w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2013\/03\/Yvonne-Whelan3-150x100.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2013\/03\/Yvonne-Whelan3-250x166.jpg 250w\" sizes=\"auto, (max-width: 384px) 100vw, 384px\" \/><\/a>Photo: Alice Tallman<\/p>\n<p>Yumart* had its official launch last Thursday, March 21st with an exhibition of paintings by proprietor <em>Y.M. Whelan<\/em>. A capacity crowd scaled\u00a0the stairs at 101 Spadina Avenue to the freshly-renovated 550 square foot second floor space. Attendees and well-wishers took in a range of works that spanned from the early 80s up to the present.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2013\/03\/Yvonne-Weiland-5.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-18061\" title=\"Yvonne Weiland 5\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2013\/03\/Yvonne-Weiland-5.jpg\" alt=\"\" width=\"384\" height=\"256\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2013\/03\/Yvonne-Weiland-5.jpg 640w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2013\/03\/Yvonne-Weiland-5-150x100.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2013\/03\/Yvonne-Weiland-5-250x166.jpg 250w\" sizes=\"auto, (max-width: 384px) 100vw, 384px\" \/><\/a>Y.M. Whelan. Photo: Alice Tallman<\/p>\n<p>The exhibition, &#8220;<em>The Geography of Dreams<\/em>&#8221; included the artist&#8217;s signature geometric abstractions. Since 1997, <em>Whelan<\/em> has been familiar to gallery goers variously as gallery assistant, director, curator, or exhibitor at Bau-Xi Gallery, the Moore Gallery,\u00a0and Fran Hill Gallery.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2013\/03\/Whealand_opt.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-18087\" title=\"Whealand_opt\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2013\/03\/Whealand_opt.jpg\" alt=\"\" width=\"168\" height=\"253\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2013\/03\/Whealand_opt.jpg 400w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2013\/03\/Whealand_opt-99x150.jpg 99w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2013\/03\/Whealand_opt-166x250.jpg 166w\" sizes=\"auto, (max-width: 168px) 100vw, 168px\" \/><\/a>Y.M. Whelan, <em>Maze<\/em>, 2006, acrylic on paper, 19 1\/2 x 13 inches<\/p>\n<p>Aspects and qualities of <em>Whelan<\/em>&#8216;s recent work are typified in three works in this inaugural exhibition. The titles in each of the works capture a sense of the dynamism that animates her abstract oeuvre. The spare, gestural line geometry of &#8220;<em>Maze<\/em>&#8221; fuses the opposing notions of the controlled and spontaneous, features embodied in the artist&#8217;s canvas works. <em>Whelan<\/em> wishes to preserve the act and process of making the painting. Each work may be viewed as a contest between conflicting and contrasting forces \u2013 dark and light, open and closed, and so forth.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2013\/03\/Tidal-Waves-and-Sea-Battles_opt.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-18077\" title=\"Tidal Waves and Sea Battles_opt\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2013\/03\/Tidal-Waves-and-Sea-Battles_opt.jpg\" alt=\"\" width=\"240\" height=\"285\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2013\/03\/Tidal-Waves-and-Sea-Battles_opt.jpg 635w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2013\/03\/Tidal-Waves-and-Sea-Battles_opt-126x150.jpg 126w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2013\/03\/Tidal-Waves-and-Sea-Battles_opt-210x250.jpg 210w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a>Y.M. Whelan, <em>Tidal Waves and Sea Battles<\/em>, 2012, acrylic on canvas 30 x 26 inches<\/p>\n<p>This holds equally true for the colours. In &#8220;<em>Tidal Waves and Sea Battles<\/em>,&#8221; 2012, the deep yellow that tends to orange flashes against a sea green. The canvas is literally a battleground, a mat upon which aspects of the painterly craft wrestle for dominance.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2013\/03\/The-Little-House-of-My-Past_opt.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-18076\" title=\"The Little House of My Past_opt\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2013\/03\/The-Little-House-of-My-Past_opt.jpg\" alt=\"\" width=\"227\" height=\"276\" \/><\/a>Y.M. Whelan, <em>The Little House of My Past<\/em>, 2012, acrylic on canvas 20 x 16 inches<\/p>\n<p>The work &#8220;<em>The Little House of My Past<\/em>,&#8221; 2012, is no less a contest, the outcome in this case is containment, a housing of moments experienced. The act of viewing permits a reliving and unlocking of past events. In this regard, the work and its title may serve as an emblem of the exhibition as a whole, where features <em>Whelan<\/em>&#8216;s complete painterly output are encapsulated.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2013\/03\/Yvonne-Whelan-7.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-18064\" title=\"Yvonne Whelan 7\" src=\"http:\/\/www.artoronto.ca\/wp-content\/uploads\/2013\/03\/Yvonne-Whelan-7.jpg\" alt=\"\" width=\"384\" height=\"256\" srcset=\"https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2013\/03\/Yvonne-Whelan-7.jpg 640w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2013\/03\/Yvonne-Whelan-7-150x100.jpg 150w, https:\/\/v2.artoronto.ca\/wp-content\/uploads\/2013\/03\/Yvonne-Whelan-7-250x166.jpg 250w\" sizes=\"auto, (max-width: 384px) 100vw, 384px\" \/><\/a>Visitors in front of Y.M. Whelan, Extrication (Gem-Encrusted God Series), 1997, acrylic on canvas,\u00a028 x 62 inches. Photo: Alice Tallman<\/p>\n<p>Steve Rockwell<\/p>\n<p>*Yumart is a new gallery at 101 Spadina Avenue, Suite 210, Toronto. Hours: Wed &#8211; Sat 12 &#8211; 6 p.m.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><strong>by Steve Rockwell<\/strong><\/p>\n<p>Yumart had its official launch last Thursday, March 21st with an exhibition of abstract paintings by proprietor Y.M. Whelan.<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/v2.artoronto.ca\/?p=18072\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":18081,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[122,4,73,76,1],"tags":[],"class_list":["post-18072","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alice-tallman","category-features","category-profiles","category-steve-rockwell","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/18072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18072"}],"version-history":[{"count":16,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/18072\/revisions"}],"predecessor-version":[{"id":18618,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/posts\/18072\/revisions\/18618"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=\/wp\/v2\/media\/18081"}],"wp:attachment":[{"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18072"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/v2.artoronto.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}