
by Amanda Pignotti
ART GALLERY OF ONTARIO
July 30, 2011–January 1, 2012
The exhibition itself becomes a virus inserted into each viewer’s mind in the world of glamour and mass media.

by Emese Krunák-Hajagos
Art Gallery of Ontario
May 28 – September 4, 2011
what made that time unique was a capacity of artists to engage with a cosmic quest, a spiritual quest to find meaning. A total commitment on the artists’ side so painting was the only thing that mattered there was no separation between the self and the art work, that’s why the paintings feel like living things.”

by Matt Macintosh
Justina M. Barnicke Gallery (Hart House), University of Toronto
What I found particularly admirable is Schmidt’s ability to effect a transformation in attention toward the mundane. What, thankfully, is not purged is, as the exhibition’s title may suggest, an invitation toward attentive light-heartedness—something equally worth bringing to the church or the arena.
by Phil Anderson
“…If we give an artist an opportunity, new types of debate, inspiration and thinking will often occur when the artist leaves the studio to engage the public sphere…” said Keeler.
Chris Shoust: Communicating with the Mentally Ill
by Phil Anderson
Many of the works are colourful and pleasing to look at, occasionally using layers and mixing up the media at while others are more graphically disturbing. Shoust displays his talent at putting together these graphic images and colour works.
by Phil Anderson
“A couple of things such as the number of artists that take part in the show and the number and variety of works that are exhibited in one room. Once all the artwork in hung it actually starts to look like one big art piece which is the installation itself.”, said Basin