by Daniel Joyce
Though the exhibition certainly leans towards a nostalgic war era’s formal sculptural bias; the artist has successfully put together a show that does not feel out of place in 2017.
by Katerina Bong
Hung separates the nature of the architectural and the human forms yet distinctively composes them together into a single piece.
by Emese Krunák-Hajagos
Howlett’s painting are layered with intellectual meaning. His symbols are sophisticated. His compositions are unique and a product of a long meditation as well as compositional experimentation.
by Simon Termine
Noguchi strives to protect against the passage of time that entangles the tumbleweed or will inevitably destroy the marshmallow structures, while Stewart is concerned with preserving and/or reconstructing fading memories.
by Phil Anderson
I am creating these humorous human/animal hybrids or incorporating animals in some way, whether that it is through printmaking, drawing, painting or sculpture.
by Vanessa Zeoli
Sciarrino’s most recent body of work combines digital animation, floor drawing, and hand-blown glass sculpture to examine the dynamic between technology and the material world.
by Laura Hutchingame
The brilliance of Pattern Recognition is its offering of the chance experience that cannot be replicated anywhere else. It makes us stop, look and, above all, play in the instant we inhabit.
by Laura Hutchingame
Jackson’s use of this new 3D printing method and the collective creation of the final installation strikes the viewer as particularly resonant in 2017.
by Nika Teper
I find beauty and creatively in many of the basic elements that surround me on a day-to-day basis — one day it might come from architecture and the next a gradient of colour.
by Allison Ing
Art & Inactivism is a poignant time based exhibition by artist Mitchell Chan that questions the interconnected roles of art and political narrative.
by Nika Teper
Broadworth’s artwork evokes multiple possibilities of urban narratives with various natural and artificial, haptic and digital motifs and patterns.
by Andriy Bilenkyy
Häussler’s exploration of the artistic value of fictionality, simultaneously dissimulated and exposed, sits well with the theoretical concerns that could motivate her character, Sophie La Rosière, – if she was more than an artworld entity, of course.
